Life, Ecology And Form Of The Beauty Of A Harmonious Symphony

The LinQuanGaoZhi has strict system in discourse structure, it not only systematically summarized the landscape painting techniques, discusses the problems of painting skills and theory, more important is to put forward a relatively complete aesthetic thought, is the important theoretical literature in Chinese art and aesthetics history. Which put forward deep and rich insight both as painting theories and as aesthetic theory, contains various ideological resources, including harmony aesthetics, life aesthetics, ecological aesthetics, and formal aesthetics. In short, harmonious is a three-dimensional and full present of life; Life is the starting point of all things; Ecology is the most ideal and harmonious state between man and nature, man and society, man and all things and people with their own relationship; Form is the sincere perfect communication and interaction between individual life, this is the rich connotation of the LinQuanGaoZhi, which mixed with "harmony" as the core of multiple aesthetics thought. In view of this, this paper takes the typical theory works as the research object to interpret and explain it from the multiple angles of harmonious aesthetic, life aesthetics, ecological aesthetics, and formal aesthetics.Full text contains seven parts:the preface made the basic carding and induction to LinQuanGaoZhi from the research situation, the significance and so on; The first chapter is the introduction, mainly for explaining the ideological basis and macroscopic discusses the aesthetic spirit of LinQuanGaoZhi; The second chapter from harmonious aesthetic angle to explained the rich harmonious, co-existence and co-prosperity harmonious aesthetic thought of LinQuanGaoZhi between man and nature, man and society, and the people with their own. It believes theories that "the heart of LinQuan", "be near to and engage in mountains and take", "full swim the faint see" proposed by LinQuanGaoZhi take natural vitality and the human life harmony as the highest aesthetic ideal, show the sentimental Caress and attachment of Chinese ancient painters and theorists to natural landscape, which is the very harmonious portrayal to the life spirit of human beings and natural; The third chapter from life aesthetics position to discusses theories of "QiuYuan raise nature", "all years scene", "landscape namely veins" and views which emphasized the fusion of human and natural environment, views man and universe as life organisms, and takes the natural vitality and the human life harmony as the highest aesthetic ideal, glaring for the life aesthetics, The fourth chapter discusses the ecological aesthetic appeal of ancient artists to natural from ecological aesthetics angles LinQuanGaoZhi contains in viewpoints "can be home or appreciate", "look up to see white clouds, bow to listen the flowing water", manifests the aesthetic consciousness and aesthetic ideal of ecological aesthetics of stressing system and harmony; The fifth chapter analyze the theory of "lofty, far and far-characteristics" proposed in ShanshuiXun from the formal aesthetic aspect, the technical issues of landscape painting discussed in HuaJue, the theme and classification of landscape paintings probed into in HuaTi, and the interlink between poetic and picturesque in HuaYi, reveal formal aesthetics contains in these views,the odd theory mainly discusses the contemporary aesthetic meaning of LinQuanGaoZhi.To short, this paper attempts to explore the aesthetic meaning of LinQuanGaoZhi from different perspectives, different dimensions, different levels and reveals interlink among these different perspectives:which is to take "harmony" as the main soul line of running through. Therefore, the article makes "harmonious aesthetics" as the principal axis to start multi-dimensional interpretation to the aesthetic meaning of LinQuanGaoZhi. By deep and comprehensive research and analysis to explore the unique aesthetic ideology of LinQuanGaoZhi, provide some reference for the modern conversion of the Chinese painting model. It is reputed that in nowadays, the diversified ideological and cultural coexisted, with the multi-dimensional open theoretical view to analyze and interpret LinQuanGaoZhi, deeply dig its rich meaning, and then investigate its aesthetics thoughts, the relationship between art theory and art practice, which not only has deep academic value, but also has practical significance which can not be ignored.