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Painting Materials Conscious Use Of Inquiry In Contemporary Chinese Painting

Posted on:2012-11-24Degree:MasterType:Thesis
Country:ChinaCandidate:X ZhangFull Text:PDF
GTID:2205330335958581Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Modern industrial revolution, the rapid development of science and technology rapidly refresh and change people's ideas and the world, the material view, from the twentieth century, diversity, comprehensive, personal nature of the overall development of the arts has become a trend. Twentieth century, the late seventies, along with the thinking of China's liberation and social progress, in the arts have begun an unprecedented new look, a lot of artists with full enthusiasm and courage, clear-cut impact on the traditional concept and precipitation years old The art of thinking, their full potential of their efforts to expand the comprehensive development of the new art space and the aesthetic vision to create new forms of screen, deepen artistic language, to meet the aesthetic demands of a new era. With the continuous deepening of reform and opening up and foreign exchanges become more frequent, a large number of modern Western art in various forms into our country, greatly widened the horizons of domestic artists, to the closure of many years of silence has brought Chinese art Hit. Especially in the painting materials, the material is unusually concerned about the development and use of a single group does not meet the traditional painting materials, artists saw the painting, the possibility of the development of new space in the picture processing to a variety of materials with a variety of Combination of techniques, not only the achievements of the works of charm and artistic expression, but also enhance the appeal and shocking images, but also reflects a more profound expression of the specific topics to be emotional and personal experience. Composite materials are not only the performance practices of contemporary painting, an important feature, and more and more artists to be accepted and affirmed that it is more freedom in the performance of language, style is more flexible, more in line with the contemporary pluralistic society, "humanity", "Personality"of the aesthetic. The use of such means, in essence breaking the status of the material is attached to the idea of bondage, to promote the artists on the concept of traditional painting, in the form of deepening understanding, but also to promote contemporary artists painting on the unique language of a wide range of exploration, Bold attempt to explore and create art representative of the contemporary art form, so that constitutes a form of painting showing a diversity of style and features an open, diverse choices for people and diverse forms of artistic expression.This paper, based on three decades of contemporary Chinese art development process that is 1979-after 1984 during the Cultural Revolution, "August Art Movement" during the 20th century, more than 90 very avant-garde art and 20th century period of development since the late 90 Museum of the four stages of the times, study of contemporary Chinese painting, painting materials in the conscious use of the material presented in the form of self consciousness is caused by the out, then have the artist's conscious use of materials, this paper works on the conscious use of materials Specific analysis, the material is broadly divided into materials and consciously imitative style materials into two categories, each of which has different properties according to the material-type material into the consciousness of national materials, folk and contemporary material material three categories. This painting materials on contemporary Chinese art in the use of conscious, confirmed by the imitation of Chinese contemporary art to the conscious use of the creative process, but also to start thinking on contemporary Chinese painting.
Keywords/Search Tags:painting Materials, comprehensive use, materials, Reflect personality, the ethnic characteristics
PDF Full Text Request
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