Car Palace Tibetan Children Bajiao Gu Fork Song

The qing dynasty literature is saidto be the summary ofl literature.And cha qu is amiracle of it. Chaqu is an art form which shaped and developed in Qing density. Up to now, Chaqu has been hundred years old. It was in fashion for a time in the Qing density. Although it experienced kinds of impacts and lows, the enchanting notes persist long Che wangfu drama begin to come into the fans and sclolars' sight after it was bought by Beijing kongde school in 1925 and assigned to Gu Jiegang to collect and collate it.< Mongolian Che wangfu collection drama in Qing density> is the most rich, and high quality pressed.so This paper is based in< Mongolian Che wangfu drama in Qing density>, research the Chaqu in it and discuss the artistic characteristics and survival situation.This paper is divided into four chapters. In the chapter 1, the historical culture backcloth of juniors bay drum Chaqu is invested. Chaqu is the product of the interaction between Man nationality culture and Han nationality culture. Due to kinds of the nationality culture are contained in it, the history and culture of Man nationality is presented and used for the backcloth of research. In the initial stage, Chaqu was the drama in the horse convenient for general and solider to express the feeling when fighting away from their home. After the war, it become a fashion in the Baqi, and then the area of influence become more and more bigger, it extend to the inner of the imperial court and the popular. The base case introduced in this chapter is the foreshadowing for the following discussion. The body part is presented in the chapter 2. In this chapter, the base framework-Small chaqu is introduced firstly, which is called "Cuichang". Because it contains six Yue sentence, it is also called usix or eight sentence".In this base, carefully read the Chaqu in the book< Mongolian Che wangfu drama in Qing density>and catalog the drama book again, then analysis the characteristic of the content and the form specially. In the content, it can appeal to both the more and the less cultured; in the form, it is very dainty, except the usual form, it also have some less common feature that other drama don't have, for example, Woniu,metaphor,A and B rao,and so on. All these are the important feature that make the Chaqu drama. These are observed and studied in the chapter 2. Of course, the Chaqu drama isn't only conserved in Che wangfu drama.. In order to be general, some other respective dramas,< Ni chang xu pu>,, are listed in the paper to compare with Che wangfu drama. By the contrast, the number of the collected dramas in the three listed drama is less than in the Che wangfu, in the tune, some are classic royal transcript for imperial use, some are used for the lower classes close to life.The Chaqu collected in the Che wangfu is the sample that is relatively plentiful and general. The drama in the< Mongolian Che wangfu collection drama in Qing density> is almost born in the mid of 18 century to the end of 19 century, which is identical with the development of the Chaqu. So studying the Chaqu through the drama in the Che wangfu is more general. In the chapter 3, the relation between Chaqu and other drama is discussed. Chaqu has its own system and reverter as same as other drama. Chaqu is the important part of the bay drum system and play an important role in it. In the base of the Chaqu, the bay drum system developed some kinds of drama, for example one-string fiddle, Lianzhu kuai shu and so on, then it develop the unique style "bay drum system" Out of the bay drum system, the Chaqu in Qing dynasty can be compared with Sanqu in Yuan dynasty to study it In the view of history hereditary, Chaqu develop in the base of Qu and belong to the same system with Sanqu. So, Sanqu should have some points for the reference. In the view of science, the framework and theory of Suanqu is mature, but the study of Chaqu is imperfect. The research technique of Sanqu can be used for the reference. In the chapter 4, the living environment and the way of protection and development are discussed through the carrier-ticket office. Ticket office is the importantliving environment and carrier. The observation for the living situation of Chaqu in the ticket office is helpful to study Chaqu in practical life. In the view of future, it is more important in the hereditary than in the development. The stamping ground of the study is how to protect and inherit Chaqu to let the descendant to taste the culture in Qing dynasty just like enjoying Tang poetry, Songci,Yuan verse.