The present thesis can be divided into two sections. Secion I consists of three parts.Part I is an attempt to explore that the Chinses landscape poetry does not originatefrom the seclusion which is based upon some related references, such as A Biograhy of Her-mits in the Book of Late ─Han, the Book of Jin and the Book of Song.Part Ⅱ analyses that the Chinses landscape poetry does not originate from meta-physics.Part Ⅲ deals with that the Chinese bodscape poetry does not originate from the plan-tation economy.Section Ⅱ probes into the relationships between the booming of Chinese landscape po-etry and the geographical landscape of South China, the landscape aesthecism during Jinand Song Dynasties and tours on moutains and rivers. |