Rivers And Mountains Of The Motherland Biography

This paper focused on the research of Chinese Landscape Painting in the new period of China, from1949to the Cultural Revolution. It began with the political, economical and cultural background in the new period of China, to show the contemporary circumstance of Chinese Landscape Painting and, based on those features we can further analysis The New Landscape Painting and other representative works of Chinese Landscape Painting. The research consists of three parts:Part One:Research on the special living social background of The New Landscape Painting. Which including the research on the political and economical fundament, cultural status and group of artists, to declare the inside reason and deep meaning of Chinese Landscape Painting emerged, then making a preparation of research on The New Landscape Painting.Part Two:Research on the whole creative features in The New Landscape Painting. To adjust Chinese Landscape Painting suiting the development of the times, lots of artists marched series of probing in New Landscape Painting styles. And coupled with the realistic political aesthetics demands, the subject ant theme of New Landscape Painting had changed apparently and generated the new style of Landscape Painting with features of new times. As the focused portion of the paper, this part pays the attention on the probing research of New Landscape Painting, the subject and the style of works, to show various express methods of style in New Landscape Painting determining its living status in the new period of China.Part Three:At same time, the artist of The New Landscape Painting is also an important portion of this research, not including the style characters of painting only. So the paper carried on further research of representative artists of Chinese Landscape Painting. As the creator of works, whether his works is suited for the contemporary aesthetic taste or not, would directly influence his living status in the same time. And it analyzed primary and secondary trend representative artists to uncover the classic works and marvelous masters in that particular social circumstance.Having to obey the needs of political values, The New Landscape Painting had restrained the various developments of paintings to some aspects, but abandoning that point, it also produced so many masterpieces in history. Whether the works met the primary trend in that times or met the secondary trend, distilling the political factors out, they are at the same lever in aesthetic meaning. The rules which judging the quality of art are neither arts surrender of politics or art itself. Equally, by researches on The New Landscape Painting, which we called put politics firstly, we can find out the new creative way and method in The New Landscape Painting academic field, and its influence on contemporary Chinese Landscape Painting.