On Tian Han's Early Poetic Lyric Tragedy

Tianhan's early tragedies have great historic meaning in his art career andho[d important place in history of Chinese modern drama. Pub1ished andpertbrmed, they were pioneering in history of drama that rec1aimed new field oftnodern theatre, push tbrward drama movement.Tianhan's early tragedies have broken thIough the models of drama, whichorganized plot and portray characters with conflict. They 1ay stress on tragictbe1ing and poetry, tbrmed a unique lyric poetry quality, including the depiction ofromantic figures, the fabrication of legendary stories as we1l as strong subjectiveemotion, creation of artistic conception .The thesis main1y dwel1s on lyric ofdrama condition and language. Moreover, the poetry of Tianhan's early tragediesdidn't merely refer to artistic style, but rather indicated the state of the art life withliving and art. They had inner transcendence spirit, which showed that thedramatist think over the man's fate, 1if e, and an.The First Chapter The Formation Of Poetry Tragedy Concept Mainlyprobing into the deeper cause of Tianhan's tragedies, tirst1y, Tianhan's as a poetaccepted and tbrmed poetic tragedy concept. From Tianhan's experience,temperament, spirit and conditionaI cu1ture, the thesis analyses Tianhan'sromantic, free and sentimenta1 aIticle intelligence. Second1y, Tianhan's distinctiveartistic aesthetics was important with free opening cult'Lire psychology. Tianhanabsorbed the Chinese opera, romantics, new romantics Baudelaire and made theminnovations; Lastly, tragedy philosophy was main cause why was Tianhan'stragedies had far reaching meaning and etemal value. Realizing and thinkingdeeply the 1if e, Tianhan showed loving care for the fate and soul of man-kind. Thespirit of "Jiushen" in Nietzsche's philosophy and the perceptual philosophy inJaPan behold Tianhan. His early tragedies grasped the nat'Ure of man andpossessed emotiona1 poetic qua1ity.The Second Chapter The Ideal Of Art Utopia. Tianhan's early tragediesrepresented art religious belief, embodied his ideal of art utopia and thesurmounting spirit in difflcult position of man. At first, from the draxnatist's caringon the tradition, we call see Nietzsche's ariistic concept that looked art as thehighest mission in life and original metaphysics activity of life accorded withl'ianhan's art ideal; Secondly, Tianhan's early tragedies and his art movementpracticed this ideal. The theme of tragedies and artist images stood fOr combinethe dramatist's litb and art into one; At last, the death of two close kin made himbe detached from the unreal vimukta of pain. He bui1t an art utopia both at thereality and spirit foraxnina. Throwing himself in creation, he overstepped death.The poetic death in these tragedies proved that Tianhan had seen thxough the ideaof this world, gotten to the essence of life and realized the most beauty inpaintings and reunions of this mortal life.The Third Chapter The Lyric Poetry Tragedies In this factors, thisthesis analyses the works and seeks an expression. The drama condition and1anguage are moSt outstanding. Especially the trier differs from ordinaIytragedy in its artistic conception. The thesis separately inquires into tbIee factors,Secondly, language is the essence of 1if e exist. Tianhan had sought adVice frombeneficial sides of Chinese opera, opera and drama, such as sentiment, suggestionand music. These traits proclaimed that it blends as we1l as poetic emotion and thedraxnatist's life'In short, Tianhan's early tragedies filled of emotion and poetry. They werepoets from his sou1 and swnbolized nis life exist. These tragedies devotednon-fungib1e ari weaith to the history of Cbinese modem drama, at the same tAne,they offered art examPle of life's poetry exist.