The Pain Of The Mind Into Words

Mankind's tragedy mentality not only have a relation with the realistic misery, but also a cultural problem and psychological problem. Since Bai Xianyong is the most sensitive and grievous Chinese in the modern society, we can feel deeply of his extensive pity sentiments whatever we read in his works. So analysing and studying the distinction of Bai Xianyong's tragedy mentality, grasping his inheritance of the essence of Chinese traditional culture and his absorption of the west modern culture are important for the development of Chinese contemporary literature, even the global Chinese literature.This thesis discusses the feature of Bai Xianyong's tragedy mentality in three aspects. We will inquire into his value orientation during the conflict between west culture and east culture, pursue the reason and theoretical base of the form of his distinctive aesthetic psychology sentiment and unique character, feel his personal charm, then discern and grasp his profound literary background and special cultural implication.The first section mainly discusses the pattern of expression and aesthetic feature of Bai Xianyong's tragedy mentality. During the conflict between traditional culture and modern civilization, Bai Xianyong sadly recognized the Chinese traditional culture's fading and a whole epoch's disappearing. Meanwhile mankind's destiny is rising and falling with it. In his opinion, historical vicissitudes and fatal variability are one of main features of Chinese literature. Therefore his works reflect mankind's tragedy fate and sentimental moodiness through time and fate. In which there is the flying of time, the flowing of the youth and the losing of flourishment. Bai Xianyong's special noble mood is expressed thoroughly through superb narrative skill. During the creating process, in order to express directly of his experience and personality, Bai Xianyong have fused the traditional and modern narrative skill. He has a strong desire to pour out the miserable life and recognizs that Chinese character is fit for concrete manifestation which facilitates the forming of his symbolism and realistic novels. Symbol and realism supplement each other and form Bai Xianyong's sincere and melancholy style together. Bai Xianyong's works' beauty with strong Chinese traditional characteristic of delicacy and plaint reflects important and special aesthetic value.The second section deals with Bai Xianyong's introspection of Chinese traditional culture and thought about its future in the plaintive and distracted sentiment. It emphasizes on his novels surpassing significance. During the whole world's modernization progressing, Chinese traditional culture has suffered a tragedy fate and fallen to edge from the centre. The losing of the traditional delicate culture has aggravated the degree of Chinese alienation which is caused by the modem material civilization. Under the background of Chinese traditional culture suffering and exiling in time and space, Bai Xianyong is eager for its returning and arising when it is transforming modernly and fusing the west and east culture. Studing abroad makes Bai Xianyong have a distancesense of time and space to observe the Chinese traditional culture.He throws off successfully the utility appealing in social politics and ideology levels and have a more scientific consultation, comprehension and grasping of traditional culture on the level of healthy evolution of mankind's civilization. Bai Xianyong believes that fusing the modern and traditional culture, adding the native creation and innovation was the most effective way for Chinese traditional culture returnning from the margin to the centre. Because Bai Xianyong concerned of traditional culture deeply, so his works full of special "cultural homesickness" . Then his tragedy mentality has a historial and cultral generosity.The third part talks about the reason of Bai Xianyong's melancholy and solitary creation style and aesthetic orientation in the aspects of his family background, individual character and creat principle, etc. B...