Lukacs And Hu Feng Literary Ideas In A Comparative Perspective

Georg Luckacs and HuFeng are two very important persons in the history of Chinese and foreign Marxism theory of literature. Considering the feasibility of internal link of their literature theories, this article goes on a systematic compare and contrast of them. The article can be divided into four parts:The first part: The comparison of humanistic connotation of Georg Luckacs and HuFeng. This author thinks Georg Luckacs's view of " Reification" and HuFeng's view of" enslaved wound in spirit" show much similarity in category essence and the way of solving. But their philosophy sources and the concrete targets referred to by the two categories differ to some degree.The second part: The comparison of subjective aesthetics of Georg Luckacs and HuFeng. This text tries to demonstrate that Georg Luckacs's " aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness. But there are differences in the degree of the involvement of the subjectivity and the emotional factor.The third part: The comparison of the views of realism literature of Georg Luckacs and HuFeng. This part compares four propositions of the literature theory of them in details: the relation of artists' worldview and creation, the relation of literature-art and society, the view of" typical" and the standard of realism. Then discusses that their theories of literature have differences and similarities, which coexist in the field of theory of literature of realism.The fourth part: The impact of the comparison of Georg Luckacs and HuFeng's literature theories on the Marxism theory of literature. This part discusses their differences and similarities from three aspects: theoretical system, theoretical form, and theoretical communicating channel. Then expounds their significance to the Marxism theory of literature in the 20th century.