Anti-earned In The Weeds

Hu Feng was one of the builders who had notable exploits in Chinese new literature and the model of independent personality of Chinese new intellectuals. In him, concentrated the contradiction and conflict, perplexity and puzzlement of one century.Hu Feng' s theory of literature and art showed transcendence with regard to the era he was in. This for one thing was because of his emphasis of the law of the development of literature and art itself and his insistence in the viewpoint of noumenon of literature and art, for another profit from the influence of the trend of thought in philosophy culture of the 1920s on his literature and art thought. The acquirement of the transcendence made him insist in and develop the realism theory of his own system i n the 1 i tcraturc controversy in the 1930s and the 1940s. First, in accordance with the many characters that tend to generalize in proletarian literature, he insisted in writing "living people" , and held all along that man was the collectivity of social relations. He thought the characters in the realistic literature works should come from vivid individuals having temperament and fate of their own who were decided by the lively and concrete historic condition. Second, his unique understanding of the creative process and his strong awareness of life ethics made him question the tendency of arrogation of form living grasp of the object with perceptual function which peculiar to life through intuitional, irrational experience and light the creation with life passion. Third, Hu Feng refuted the harmful trends such as obedience literature and the unique class consciousness theory in his argument against the theory of ideology creation, and emphasize the interplaying relation between realism and creation subject. According to these, he gradually made the affirmation and publicity of the subject in creation as the core of his theory of literature and art and formed his distinctiverealistic theory system.By probing into the real istic theory, Hu Peng corrected to some degree the tendency of dealing the personage in generalities, the overexpansion of rational thought and the ideology determinism which were prevalent in literature creation at the time. His theory of literature and art afforded a new possibility for the development of the realistic literature in china and made valuable exploration of the process of the Chinese style of the Marxism theory of literature and art.