Public Environment And Ceramic Sculpture

In the long river of history, ceramics arts, a cultural phenomenon that had never been interrupted, was increasingly showing its advantages in term of material since the Modern Age came. From the era of pursuing the jade-resembling quality to the times of being commoditized and appreciated, ceramics arts had once been included into the category of industrial arts under specific circumstances of those times. However with the development of ever-thriving modern arts, it soon came to the forefront of the contemporary arts from the circle of industrial arts. Then it entered into the field of real artsand gradually separated a more important traditional concept from the ceramics. Single aesthetic standard that had followed these traditional concepts were gradually integrated into the vast art production field and built the purified modern ceramics phenomenon. While modern arts were controlling the productivity of the artists like a raging fire, post-modern art stepped into our eyes. Thus, a new round campaign of pushing off the real arts and recognizing craftwork began to spread. Like other materials that had appeared on the stage of the history, how did pottery show its attitudes before the various kinds of genres? From tradition to modern and from modern to post-modern, whether there was reasonable connectivity between them and any conflicts in the concepts? The quality of the material will never be obscured and been stopped. The characteristics of the pottery materials have decided the possibility of the extension of the material in space; all the interrelated culture possibility can be searched in the ceramics phenomenon. The territorial difference of the material had naturally integrated all the possibility which could be created due to the speedily development of the modern science technology and information. It became more and more fluent and naturally for the possibility to run neck and neck with tide and epoch.