Chinese Folk Art Of Color In Modern Graphic Design

The color of Chinese folk fine arts comes with the folk fine arts and develops with the development of the folk fine arts and human culture. It is a record of people's pursuit of aesthetic appreciation, and exploration into art. It is a brilliant gem for the human art. The disserting focuses on the whole study, analyzing systematically the origin, structure, nature and basic features, discussing the development of the modern graphic design and existing problems. It tries to probe into the exhibition of the color of Chinese folk fine arts as to put forward some suggestions and creating methods for the development of Chinese graphic design through study of color theory and examples analysis.The dissertation consists of three parts. The first part includes three chapters, mainly expounding the origin, development and features of the color of Chinesefolk fine arts from phenomena to nature, and pointing out the factors that can be used for reference for the color theory of Chinese folk fine arts to the modern graphic design. It has a new examine of the ancient folk fine arts from the angel of color.The second part is the fourth chapter, mainly analyzing the development of the modern graphic design and the existing problems and coming to conclude that the Chinese modern graphic design must combine with traditional color if folk fine arts is aimed to be nationalized.The third part includes the fifth and the sixth chapter. Starting from the relations between the folk fine arts and modern graphic design, analyzing the similarity of the color of Chinese folk fine arts and modern graphic design in function and designing methods. It is the root of modern design and the combination of a the color of Chinese folk fine arts and modern graphic design .I will probe into the nationalization of Chinese modern graphic design through analysis of applying examples of the color of Chinese folk fine arts in the modern graphic design.