From Narrow To Broad

Based on the theory of artistic philosophy in everyday life proposed by A Taylor, this paper interprets the original modernist aesthetic pattern in Zhang Ailing's texts as Zhang's narration is close to an absolute everyday one. Generally speaking, the mien of the principal part-Noble I- is the cornerstone in the formation of Zhang's feature of thoughts. In her artistic digging focused on satires of everyday human nature, her gazing at ontic female in the level of everyday life brings forth her particular female diction. Meanwhile she never abandons her creative interpretation of male's life atlas, which enables her to survey the day-to-day life she is in on a higher stay with a supernormal attitude and state of mind. Thereby, she can move from the simplex sexual language to the one similar to substantial parole. Essentially speaking, the main features of aesthetic modernity in Zhang's text are that Zhang had formed her own philosophical pessimistic experience in her exploration in such narrow fields as the concentrated and stable male and female, depart and reunion in everyday life level; she also raised the everyday trivial pessimism to a pessimistic sense with an absorption of time awareness and an eternity. Moreover, Zhang further excruciated the significance of the kind of tragedy and developed it into nihility with a tragic shade, where lies the charming of Zhang as a rich and profound artistic unity.