In The Theory Of Chinese Painting Theory Of " Reason "

Following the traditional way of "to investigate things is to attain knowledge", through carding and comparison, this thesis sorts out the concept of "law"in the Chinese Landscape Painting theory systematically, and divides it into "innate laws of things"and "laws of art". To study "innate laws of things"is to study from "laws of a image"to "laws of the quality of a image", which is to study the transcendence from being alike in appearance to being alike in spirit. To study "laws of art"is to rise from "to find theory from skill"to "to find the Tao from technique", which is to leap from "language of scenery"to "language of feeling". Through building this structure, this thesis connects the problem of the relationship between "form"and "spirit"as well as the relationship between "technique"and "Taoism"by the concept of "law", so that this profound and changing concept can appear in a clear way.