Zhai Yongming, From Shu Ting

The Female poetry has been concerned as a phenomenon by the field of literaturecomment for a long time. The modern female poetry is that poetess write according tothe female consciousness. In China, it produced at late 70's and early 80's in 20thcenturies, and thrived in late 80's . Therefore, the whole 80's was the female poetry ofborn and development and there were many poetesses, such as Linzi,Shuting,Wangxiaoni,Zhaiyongming,Tangyaping,Yilei and so on. Among them Shutingand Zhaiyongming was especially representative.Shuting was the representative of theinitial stage, and Zhaiyongming was lately becoming to "lead the way sheep" and"key figure". This thesis wants to unveil the development track on the female poetryin 80's by the comparison of the Shuˊ s and Zhai ˊs composition. The full thesis ismainly divided into three parts. Preceding analyze the different content andperformance of the female consciousness in the work of Shuˊ s and Zhaiˊ s from theangle of the female consciousness, such as the attitude of the love and marriage: TheShuˊ s calls a love and pursues a love, the Zhaiˊ s is always query a love andintrospect a love;in the life experience: the Shuˊ s is only beautiful, and the Zhaiˊ sis only true;in the molding of"mother's image": the Shu ˊs is traditional and heracceptance and eulogy to mother is without any reservation, but the Zhai ˊs ispersonal and she is mixed with hate and love to mother and reject with calling it again;in exploring the belonging of the sex: The female of the Shuˊ s has very strong ages, but theZhaiˊ s is always let the woman return woman's oneself. From Shuting toZhaiyongming, the female consciousness experienced from outside into inside,from concealment to obviousness of development process. The middle partexplains the beauty character of the Shuˊ s and Zhai ˊs from the angle of the poetryart:It includes the deference of the main formes: Such as dissimilarity of types, images,feelings of the language;The conversion of the poetry angle: from the expressingherself of Shuting to the analysing herself of Zhaiyongming;the different iation ofthe poetry qualities: from the song of Shuting to the monologue ofZhaiyongming;and the change of the esthetics pursue: from " write poem for others"of Shuting to "aiming at oneself" of Zhaiyongming and etc. The poetry art of Shu andZhai is clearly different, the style is different, the development of the internalityof aesthetics is discernable: from abstract to particular, from image to the lifeitself,from acculturate of personal to existence of personal, but the "beautiful"corpus consciousness is constant. The ending part explores the defference of theShuˊ s and Zhaiˊs on culture. In the spirit quality, Shuting is doubtful andintrospection, but Zhaiyongming is internal introspection;in treating the attitudeof the male power culture, Shuting transformated it under the premise of therecognition of male power culture, but Zhaiyongming is devoted to concentrate onthe subversion of the male power culture;in the construction of the female, Shuconspire all kinds of words and Zhaiyongming is to reconstruct female .FromShuting to Zhaiyongming, the female poetry of the 80's walked through thedevelopment process from reform of the early culture and the conspiracy of all kindsof words to the lately cultural subversion and reconstruction.This thesis mainly makes use of comparison method and analysis in takingexamples from the foundation of the female literary criticism theories and modernpoem, checks against Shuting's and Zhaiyongming's, poery works, discusses indetails of the differences of consciousness of female, character of aesthetics, the spiritquality and the meaning of cultural.It displays the track that the female poetrydeveloped from initial stage of 80's to the late. The standpoint of the comment isalways fuzzy on Shuting ˊs consciousness of female, the meaning of cultural, I alsoworked hard to clarify it. The article thinks: with theories of female doctrine and thepoetry art continuously developing , the female verse got away from dim andunreality, and became more candid and transparent, more touchful and more feelings.With the deep insight to the femaleˊ s life and special expression ,it stands always at ahead of the contemporary female literature and guides the development in differentstages. Under the present condition that current female poetry research is constrainedby the individual cases analysis and the horizontal whole description of the prosperitystage, the meaning of the thesis is to explain the changes of the female poetry, combits development clues, and investigate its development road, clarify the process whichcomes from the initial stage to late stage, understand its general creations and the stagecharacteristics, so it promote the female poetry that experienced low tide in the stageof 90ˊs. I believe that, under the help of numerous poets and the commentaries,the female poetry will head for daytime from dark, for clear from chaos.