Li Changhe Of Literary Criticism

In the history of modern literary criticism, Li Changzhi was briefed the an unique critics. But for various reasons, the academic community is lack of proper study with him who has important value. It isn't extremely fit for the position in the history of modern literary criticism.Social utilitarian and aesthetic are the two basic dimensions of literary criticism. Because of the interaction with tradition and reality, the sway between the two dimensions is the criticism reality that the modern critics must face to. As a speaker of aesthetic criticism, Li Changzhi stick to the independence of aesthetic, opposed direct utilitarian concept, "aesthetic" is his critical demand;At the same time, he supposed that the power of moral and aesthetic should be make human's spirit beautiful. He did not completely deny the utilitarian value of literary criticism. He told that the "utilitarian " is unified in the recognition of the "literary" and "aesthetic" of the premise.Starting from the literary aesthetic character, Li Changzhi advocated to "emotional criticism", emotion is the focus of his literary criticism. But emotions can sometimes lead to excessive subjective, he stressed the scientific ration of literature criticism he use it as a tool to understand the works. Li Changzhi was briefed the impression that did not belong to the perception about sending, or send a rational value judgement, but searched for a perfect combination between emotion and ration. It is of great significance to building a modern literary criticism.In perfect harmony with emotion and ration, it made his criticism unique and personal.Strong overall awareness. Li Changzhi also stressed on the "taste in the poet's world ," that is, from the author's personal experience, to explore their feelings and personality, and then analyse the feelings and styles of works, and formed a overall landscape of "life------emotion------Great". He didn't value awriter only according to his works, but also according to the more importance of valuable. He wanted to look for the vitality and romance from the practice that the Chinese nation had lost a long time from Si Maqian., Li Bai, Lu Xun and so on.Unique language analysis. Li Changzhi was good at analysising the writers' emotional characters, personality characters, and the spirit of the times behind the writers. In the text language, art style, the soul of the world, the literary genre triple aesthetic character, demonstrated Li Changzhi also briefed the unique language arts criticism.Perception and thought are coexistence. The literary criticism of Li Changzhi not only shows the result to the traditional criticism, but also shows the logic of modern criticism, and look at the logic of perception about the wisdom of romantic circulated to the Central and Western literary criticism strengths together, demonstrate perception about accepting coexistence with the style. It demonstrates the styles between perception and wistom.The literary criticism of Li Changzhi reflected the independent spirit, strong aesthetic position and scientific. That are of important significance to modern criticism. The literary criticism of Li Changzhi played a certain adjustments and balances to the main criticism that relatively neglects the internal function. And it is a supplemet to other marginal criticism. As a literary critic, Li Changzhi is a presence that should not be ignored.