Vitality, Freehand And Shape Of The Track

For various reasons, it has been only a couple of years that the enjoyable research of oil painting was first proposed, while the idea of enjoyable oil painting just came into being recently. However, these are restricted as an academic research only, within a very small scope. Enjoyable oil painting is just starting to awaken, with some explorations to establish a certain form, but generally speaking, such exploration is far from enough, with a single invariable form, lack of self consciousness, creative enthusiasm and the drive to advance. As a matter of fact, the proposal of enjoyable oil painting is the inevitable result of emphasis on Chinese traditional culture. As a promising territory to be developed, enjoyable oil painting requires the joint effort and construction of several generations of artists.This paper, starting from the source of thought and the realism of practice, optimistically foresees the prospect of combining Chinese and western culture in Chinese oil painting, and discusses the development issues of enjoyable oil painting, in both epistemology and the theory of practice. From the new point of view, the author reviews the definition of beauty, and contemplates the nature of painting, so as to point out that vitality is the source of beauty, and that enjoyable painting is the approach summarized by people to effectively express this source; Starting from the general context of combination of Chinese and western culture, judging from the history and making parallel comparison, the author analyzes the status quo and reasons of enjoyable oil painting, and proposes the concept of "to imprint the image", on the basis of which, she points out that enjoyable painting can not live without the grasp of media as the harmony of man and nature, and that it is important and practicable to expand the oil painting's media space for the development of enjoyable oil painting. This is the direction she tries to experiment on, in order to open the space for the development of enjoyable oil pamting. Exploring from the aspect of epistemology and methodology, this paper intends to invite further discussion on the topic, in the hope that such research will play a constructive role in the development of Chinese concrete oil painting.