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On The No Bone Painting And Not A Bone Painting And Freehand Painting A Few Problems

Posted on:2008-10-01Degree:MasterType:Thesis
Country:ChinaCandidate:G ZhangFull Text:PDF
GTID:2205360215950614Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
MoGu is already have thousands years history. It attach importance to the sketch, make the deep study of poetry and calligraphy, have the special method to use color and water, it have great improve the China paintings represent and development. After Yunnantian's painting , although have Changzhou Group's contribute, but the convulsions of Qing dynasty and the difficulty of the MoGu' skill especially make the few people to inherit it's style, from that time to the present, people hardly to comprehend the theory and to practice it's skill. So it will produce great meaning to the study of theory of China painting and the practice through clean up the illegibility and study the development history of MoGu.This study were hope to emphases on the issue of MoGu, I have want find out the experiences that concluded by the painters, and the describe by the connoisseur upon the MoGu during different period. I want to clean up the evolution clue of the MoGu from Song dynasty to the latest of Qing dynasty, and to explored the skills character of MoGu compared with Wash painting and delicacy painting, also I want to find out these different style's separation and interlace. Track all of this maybe it still can help us to see the influence that MoGu made for the literati painter.In search of the information of the history, and to explained the works all-around, I don't just want to see the whole truth of the theory of the MoGu, I still want to find something that can help us to get improve of our art practice.
Keywords/Search Tags:Painting
PDF Full Text Request
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