Colors With The "class"

Carving color and body is a two sides of coin, should be impartibly. The affirmation presented a feature to have consideration towards carving of endly when artist conceived outline a work in all aspects. Certainly superficial color and texture have it the place of contingency. Skin texture color etc. of the elephant of mire" wood stone. In order to carving material to have a color, so say from this meaning, carve all is have a color. But to carve 90's ago a color of surface is Chinese modern carve medium perhaps just accidental phenomenon. Carve a teaching design to come up to speak carving relates to with color from the college of the research almost can neglect not to record. But the mid 90's the later Chinese contemporary carve involve a color more and more.1 which becomes contemporary to carve a development thus re-appears elephant.The purpose of this thesis is to pass to has elephant to carve a development to contemporary China of nations, local cultural language, Chinese contemporary carve the oneself context of the development relation to see an elephant carve to the color of usage phenomenon, try to pass a demonstration method, create a way, cultural current of thought, color characteristic, color and carve a body and apply color of aspects such as tool material and form technique etc. to inquiry in to carve with the relation of color. At lengthways up have according to time sequence a body to tidy up now in carving development grain to the color, at horizontal up combine individual case analysis to take in to tally up to inquiry into with carve the body of [with] various relations now to the color. From here our canning see the development that time that a contemporary color carves generation need is to carve a oneself diversified inevitable. The color that the contemporary carves should be the realm which carves a research to once be neglected to re- take in to value.