Image An Extension Of Creation ¡¤ Images

"Image" is the record of objective response, the materialization of that is rigid and is real; "Image" is the spirit. culture, a soft, vibrant. "Shaped" to create, but also "to" extend material is the material and the spiritual nature of the combination.Aesthetic Culture is the visual image as a vector, "foreign concept", it describes not only the shape itself. denotation and connotation than it should "shape."Images of things the human brain is the size of the space and image processing and painted. And its perceived image, the image is abstract, it is the sense of integration or emotional tendencies. Image is based on "like" is the visual image.Research advent of the era of visual culture in the background and aesthetic symbol, Gestalt psychology, the "psychological inertia". "Life Aesthetics" and other relevant basic theory, Emphasizing the visual culture of contemporary visual culture and visual context to the deletion analysis, explained the development of contemporary visual culture with the status quo; Through the creation of a viable visual image of the modeling concept, Visual Culture—thus indicating a sense of belonging to the extension of the aesthetic and cultural significance. To consciously sea, as traditional roots, cultural heritage such as the extension of main rivers stressed the necessity of fostering aesthetic awareness. Artistic by the reality principle, spirit and life "Shang" exposition on the aesthetic mood of the reconstruction design.By analyzing the visual culture from the traditional to the contemporary visual backdrop to the times, cultural aspects of the images from the two extension. Deconstruction of contemporary visual culture in the visual image features; Reconstruction of three-dimensional imagery to design culture, the depth of the visual image.The paper synthesized the relevant basic theories such as semiology, Gestalt psychology, the "psychological inertia", "Life Aesthetics", and analyze the article theme from cross and vertical directions: First is the creation of image, the significant visual form is discussed from five aspects of self and the world, time and movement, full and diversity , association and fantasy , impression and generalization; Second is the extension of imago, the paper tried to seek the regression of imago from the extension of culture and achieve combination of East and West and spirit and form in design by means of analyzing the lost of visual culture context in the present case, and find the memories of past and present and tradition and contemporary in the creation of visual languages.The forming outlook build now should be complex. Standing on the international tide and take root in indigenous culture, we are able to express feelings to today and future fully by multidimensional thinking and abundant visual language.