"konjakumonogatari Set" Chinese Ministry Of China Mortgaging And Re-creation

My thesis deals with one of the masterpieces of Japanese story literature and a story collection about Buddhism written in the Tang Dynasty.Perhaps all the stories in are produced by accepting the references that they are based on and showing them again. It is considered that even though some stories whose references are unidentified also have their own references. is a story collection which propagates Buddhism, because the idea of retribution is an important idea of Buddhism , attaches importance to the retribution stories. < MEIHOUKI >, as one of the major sources of SINDAN Section, had a great influence on 's formation. This thesis takes the retribution stories in SINDAN Section as the focus to compare it with its source < MEIHOUKI >.The retribution stories in SINDAN Section of < KONJAKUMONOGATARISYUU > not only accepts < MEIHOUKI > in content, but also adopts the idea of"the combination of Taoism and Buddhism". In additon, the thesis pays more attention to the differences of the two works, and compares the two from four aspects:the style, narration, details and the conclusion in the end(the motive), discuss the literary techniques of the re-creation of the retribution stories in SINDAN Section and try to analyze the reasons why mistranslation, wrong writing and other styles of differences are caused. This thesis adopts some methods such as comparation, classification,analyse and generalization to try to find out 's own feature. Finally, I sum up the feature of literary acceptance and the methods of its re-creation in retribution stories in SINDAN Section of < KONJAKUMONOGATARISYUU >.The article consists of four parts below :Preliminary remarks:the summarize of outline of and its meaning.Chapter one: previous studies of .Chapter two: and < MEIHOUKI >Chapter three: the differences between retribution stories in SINDAN Section of < KONJAKUMONOGATARISYUU > and < MEIHOUKI >.Conclusion: the feature of literary acceptance and the methods of its re-creation in retribution stories in SINDAN Section of < KONJAKUMONOGATARISYUU >.