Conflict Of Transmutation

This thesis discusses when feminine artists of China are emerging formally in the social stage, the changes of feminine artists' status in the society structure, their subjectivity and objective when they create works, and the changes of their influence on art structure. It demonstrates China feudal system controls and oppresses the feminine mentality, China prostitution system and prostitute culture having the important influence on art of China culture; in the Feminine Liberation Movement, both extremeness of Western Feminism and mildness of Post-Feminism have the profound influence on Latter-day China Feminine Art, and presents different presentations and methods. The most important thing is: in the contemporary era, China feminine artists commence a new era of their independent performance, and they use their works to communicate their aspirations.