Mao's Personality, The Ideal And The Model Operas Expression

At times of left wing rage, if we looked round realm of literature and art where noxious weed is said much forested, we would surprised to find that only MODEL OPERA was looked on as the ideal model of new proletarian literature and got Mao Zedong's favor instead of being animadverted. What's more, MODEL OPERA even got sovereign position in Chinese literature arena.Why Mao Zedong who was so captious showed special favor to Model Operas? An obvious reason was that Model Operas fulfilled the basic requirement of new proletarian literature which should have "socialist content, ethical form". The more important and in-depth reason were that it not only meet Mao Zedong's political demands that literature should serve workers, peasants and arms, but also bear the institutional revolution idea through Mao Zedong's revolutionary career which took national characters rebuild as its core.The main task is to interpret Mao Zedong's of the ideal personality and how Model Operas bear shaping national ideal personality of this mission.In this paper, including the introduction, the main body, conclusion, and so on three main components. The introduction mainly discusses the inherent relationship of Mao Zedong and Model Operas. The conclusion eva luates Model Operas major expression of Mao Zedong in the role of an ideal personality.Part of the text is divided into four chapters The first chapter exposits Mao Zedong's personality ideal content and the evolution and raise that ideology, morality is the ideal personality of its two main content. The second chapter exposits how the Model Operas transform people's thinking and to unify national ideology with proletarian ideology is strong desire of the editors of Model Operas. So Model Operas take a prominent theme of class struggle, promote class feelings, and strengthen engineering measures such as center stage. The third chapter on how Model Operas to mold the moral character of people, and to make Utopian imagine to the moral ideals were. At the same time use of revolutionary romanticism and the "three prominent" creative principle, boldface molding a group of tall perfect image of a hero. Use of these ideal models that actually do not exist in reality as a spiritual mentor to guide national establish communist moral ideals. The fourth chapter on the over-emphasize to the quality of loyalty of the Model Operas, and the promotion to cult personality.