On The Contemporary Chinese Brushwork Figure Freehand

According to the author's creative experience of the practice of painting light of the specific case of the painter, and now Meticulous figure painting for the existing problems in preliminary discussions innovative Meticulous figure painting should have the right attitude and spirit to make the creative Meticulous figure painting Not to imitate lag or exceed the performance deviate from the origin of life. Fine Brushwork in contemporary China has been tremendous development, and should be in the new era with its unique cultural content and artistic form. First of all Chinese art of freehand brushwork to the spirit of involvement on the subject, stressed Fine Brushwork demonstration in freehand brushwork, to develop a deeper level, that charm, and the importance of combining literary accomplishment, with a view to painting a more profound conception of the perfect expression. In this paper, and the pursuit of Fine Brushwork as false as it is, and as an image, instead of Health Integration contrary, not exclusion, subject to Meticulous figure painting of a new era of innovation and the significance of the possibility of more expression, closer to the arts Essence of the spirit of the Chinese nation with close to the spirit of innovation, combined with today's environment of the impact of figure painting, and we can absorb the other elements of the art of freehand brushwork, Reflect freehand brushwork of Fine Brushwork has a good and great prospects for development. Chinese painting because of the area that is deep and broad and covered many of the relevant knowledge, all the exposition can only be a redeployment of existing resources related to the possible close to their origin. And efforts by the direction of this paper is to try to resolve the current practice of creative ideas and creative confusion caused by the conflict and the crisis of artistic creation. Comprehensive use of the arts psychology, sociology art, image science, philology and so on, this is not a simple theory with practice analysis, but the concept of history and cultural history and interpretation of the carding process. Hope to be in theory and practice level, to present the creation of Chinese painting that brought inspiration for artistic creation, thought to provide a new perspective.