Chinese And Foreign Film And Television Animation National Art Style Is A Comparative Study

The domestic animation had a glorious history on the road of Nationalization before, many films won awards in the world and the Chinese film has won the "Chinese school" reputation. A series of animations played an important role in the process of Nationalization exploration, such as Proud generals, Little Tadpole find Mom, Mudi, Danaotiangong and so on. These animations had a series of national characteristics, such as the outstanding performance in the animation were used by the traditional folk art forms, reflecting strong in the East cultural atmosphere to give people a sense of refreshing. However, since the beginning of the 1990s, domestic animation gradually deviated from the "nationalization," and fell into a very confused low. Domestic animation not only lost their personality in the national character, but also lost their voices in the international gradually. Only the nation is the world! To revive domestic animation, it must be rooted in the fertile soil of this nation's culture, and stick to the "Nationalization of the road."In order to revitalize China Television Animation past glory, china television Animation must explore its own development path and referene to foreign experience.Based on arts, psychology, cultural studies, and other related theories, using the nation's artistic style as references, this article will be inspected on Television Animation United States, Japan, Europe, in the vertical and horizontal comparison, through the different ethnic character animation film presentation, animation and video to identify the source of nationality, so as to achieve screening and body animation consideration the unique character qualifications.This article was constructed by five parts. Such as formation and development of the Chinese and foreign film and television animation ethnic style, the formation and development of the causes of ethnic style, the same comparison between Chinese and foreign film and television animation ethnic style, the heterogeneity comparison between Chinese and foreign film and television animation ethnic style .This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.