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Traditional Regression And Reproduction

Posted on:2009-12-17Degree:MasterType:Thesis
Country:ChinaCandidate:S Q MaFull Text:PDF
GTID:2205360242995000Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The oil painting nationality, is an important artistic phenomenon which produces in the Chinese fine arts in 20th century 50's and 60's. The Oil painting nationality, once was the guidance thought which led domestic oil painting creation and the teaching system establishment. It is a slogan, also is a theory proposition, simultaneously is a fine arts ideological trend-one kind of style style practice pursue. The Oil painting nationality as a proposition origins from Right fine arts revolution impetus and Improvement of traditional Chinese painting statement in New Culture Movement. From this, Both advocated studies the Western drawing and to pay great attention to excavates the Chinese tradition fine arts resources to become the modern artist's practice pursue. From Oil painting nationality argument start in 50's, This proposition proposed is not completely based on one kind of pure academic discussion,it has from the very beginning received the realpolitik circumstance impetus, moreover politics changes constantly continuously about this proposition practice. Therefore, has gotten historical and the ideology signature for this proposition and the exploration practice, Becomes a words practice of that time. Looked as an ideological trend, the Oil painting nationality's once whipped on the Chinese oil painting style to face the national style and the national style esthetics ideology direction develops, has reflected a time energetic style and the knowledge idea of. Painters and so on Dong Xiwen participate in this topic positively the discussion, and personally sets an example carries on the artistic practice. Carries out;the nationality; in the artistic creation and in the artistic education system origination. These artistic practice all has laid the foundation for later Chinese oil painting development and has provided a path. Painters and so on Dong Xiwen become this historical time interval prominent representative, their thinking method and the drawing art practice is without doubt this phase of historical precious wealth. Now,the Chinese oil painting already moved towards the creation by the imitation. After carries forward the digestion,Oil painting that foreign substance has develop form Assimilation to Being adopted by us. Because of Great Cultural Revolution's eruption, not only has interruptedthe oil painting nationality exploration practice, but also anti- has put the normal development of new Chinese fine arts, even founds a nation the latter 17 year fine arts achievement also totally to write off. One batch of new oils painter completed Omni-directional introduction that from as classically as modern each kind of pattern of Overseas during fierce dispute and turbulence in 80's. Follows the global integration the advancement, emphasizes the oil painting the nationality perhaps the localization, becomes the artist to display the self-national values the way. Was different with the past seal environment, the opening global integration background has entrusted with this proposition new significance. This time oils painter even more is partial to China's traditional preface in the theme choice, Thorough absorbs the Western pure oil painting technique in the performance technique aspect, and unifies in the Chinese tradition drawing the factor, displays the Chinese tradition by West's drawing material the words ideal condition, has the Chinese tradition consciousness complex to participate in the Western oil painting art the practice, continuously seeks personalized to the 90's the language type. 21st century China oil painting development priorities from studied the West from the past hundred year base wood and has the creation to transform to takes a broad view the world, the foothold native place, the development innovation. The study and the research nationality tradition art atmosphere, derives from the national tradition raises the share, innovates the oil painting in the globalization the language. The oil painting nationality took an artistic ideological trend, it produces affects the effect until now also to exist. Now, the oil painting enters in China to each kind of artistic school extraordinary splendor numerous time, the different academic viewpoint contends intensely, presents to the modernity, the multiplex development unprecedented prosperity picture. Research that explores the Chinese oil painting in the internationalization, how the globalization tendency goes forward of this proposition has the instruction function.
Keywords/Search Tags:Nationality, Oil painting, Localization, Internationalization
PDF Full Text Request
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