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Screen "flowers Of Evil"

Posted on:2009-08-27Degree:MasterType:Thesis
Country:ChinaCandidate:J XiaoFull Text:PDF
GTID:2205360242995049Subject:Film
Abstract/Summary:PDF Full Text Request
At present the showbiz thinking and consciousness have already become a kind of mature of art concept and be acquaint with by people, it has changed original proper art thinking and appreciates beauty thinking. When the movie took a main function in the essential medium and the public's culture, it's vanguard and the experiment made it stand at the forefront of the culture and the art. Movie since want to reflect to life of beautiful also want to describe to life of ugly, "Too many famously movie artists of world's movie industry all have ever expressed the mankind's violence behavior in each from of the movie, because they think the violence behavior are mankind a kind of widespread and despicable phenomenon in the life" .The violence image is the reflection to a certain life and a certain and social cultural mental state in the realistic life, be much more than only simple description violence with satisfy mankind's instinct drain of tool. Really the exactly violence image should be deep to analyze a society with thorough study human nature of art work.The first part: IntroductionBecause the violence films'studying and analysis is analysis of to induce with the summary on the metaphysics meaning of the theories height, but the theories research is not a process as "from abstraction to abstraction " or a purely and theoretical. so this process have to restore the theories to the concrete director and the work to recount after the process, the lens style and the mold method of role, then can objective and argument violence films scenically and get a conclusion of reasonableness system. Therefore, from the time line of the violence films mature process to set out, the approbation degree, each big and international awards of the comprehensive world movie, the evaluation of the quality public praise, educational circles of the director work etc. Choose John Woo, Quentin ?Tarantino, Takeshi Kitano and their works to analysis violence films----the special mirror's theories meaning in Imaging ages. The second part: Recount strategyAs a narrative theme of the three images of violence in the "Consumer nature" of cultural influences, as well as by its narrative structure of Motion Picture Arts diversify the types of the role of violent images in the form and style of the increasingly rich mix is no longer blindly cruel and bloody . Truly outstanding violent images taken by the art of thinking strategy is to strengthen the narrative function of violence, and guide the audience to ponder deeply rational reverse the contrary, violence so as to enhance the film's ideological depth and social significance, calls moral heart of love, the contrary, the current social, cultural, Reflections on life and death, such as philosophy, and other issues.On the one hand, the narrative of violence is a wide variety of ways, each caught a film production will choose their individuality in the violent images on the three-cylinder representative of the director, a model of narrative films showing different characteristics. Despite the way of narration vary, but their heads are designed to guide the audience through violent images face violence results demonstrated their views on the real world of human life and thought and critical to modern civilization. On the other hand in the narrative theme, because violent images shown by the common theme has made them all in their narrative usually involving the same to the same theme, through these themes behind the images shown on the profound thinking. Any outstanding imaging performance is always the ultimate depth theme, although not all so grand, but at least creators think it is important performance of the theme, for example, reveals human, social, political and profound philosophy, and explore the edge of human cognition, and Our religion, philosophy, the life and death of thought to a deeper level.The third part: Lens language styleViolent images of specific topics decided it can not be evaded with blood and wounds lens, the film has at least the lack of impact and power, but too much current thinking in stereotypes weakened, and from ethical and aesthetic sense, in the film indulge in violence are not exaggerated, because the psychological ability of the audience there is a "degree". The design techniques of the camera handle the amount of the severity of violence "in" a direct impact on the artistic level and film viewing audience after the value judgement.First of all, such as the use of flash-to-back jump slow-camera skills, such as expansion of the lens room for imagination, highlighted the performance of the lens focus on the violent images to soften and defuse violence to the surface sense of the bloody flu-oriented philosophy of life, observe the life . Secondly, through the lens color highlights the main impact of the configuration, using the well-being of color hues and saturation of the effect of fresh Comparative Comparative impact from the visual scene of bloody violence will be displayed in a particularly cruel reality is frightening. At the same time the use of color on the significance of the Cultural Implications of rendering images atmosphere, and guide the audience emotional, psychological changes in the figures portray the meaning of a multi-storey violence smudges or bleeding and deep drawing. Finally, the screen placement has a strong symbolic meaning or form intended color visual symbols, and violence and its implementation and implementation tools, such as visual symbols meaning confrontation with a lens in place, relying on the significance of the two fierce Collision rich enhance the theme and works aesthetic realm.The fourth part : The role's positionIn many characters in the film is the story itself, although on different characters as embodied in the humanities and cultural meaning of temperament vary, but the implication of every stripe Exploration of universal life and basic human emotions are the same. As the audience figures fate of the emotional ups and natural revelation, and the survival of these people turn to their own state contrary to think calmly around the world, understand the significance of the survival philosophy proposition. Through the violent images of characters positioning violent images explore the survival of human beings, such as philosophy and significance of state Proposition thinking.First of all violence figures revealed by the multiple representation impression gradually stripping the usual violence figures positioning, also have in their possession out of the ordinary, love, tenderness and other positive side of the sun. Rough seemingly callous people also hit the most nuanced soft corner of the move, no expression of the face, under the surface of violence also have a sincere friendship kindness in the flow. Secondly, violent images of violence in the characters often reflect on the multiple profound implication, in the torrent of history of the fate of the unfortunate little suffering, survival and destruction is forgotten very often overlooked in the face of enormous social powerless they are insignificant. Imbalance in the value of their time to good, justice, friendship Boming shouted the name of the them more deeply the tragedy of Meaning. Finally, the role of figures such as lines of the soul of the ransom also, the value of life and social and cultural phenomenon and the proposition.
Keywords/Search Tags:Violent films, Narrative, Lens language, Characters
PDF Full Text Request
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