History Eradicates Charm

As a new research area,the literature in the new century have already became the focal point of the multitudinous commentary attention.There exists disputes of this literature name,but it have been obtained more universal approval by acdamical world.There are many profound elaboration about character and tendency of the literature in the new century,but the systematic research still not enought. This article elaborated the peripherizational character of the historical novel in the new century emphatically,and I hope to establish the theory basic point to understood the historical novel.This article took comparing as the main method,and analyzes the the edge connotation of historical novel in new century emphatically.Through comparing it with the historical novel in the next half 20th century, especially revolution historical novel and historical novel in 90's,the artical explains its new narrative character.The article elaborate the peripherizational character of the historical novel in the new century through the conception of history,cultural and language.There are three main clues in the article,one is non-consciousness morphologization,one is the non-rank system of historical constitution,but these two clues have relations,they together aim to break the centralized history narrative.And one is multiplicate presents of the edge history.The peripherizational historical landscape,presents kinds of face, such as the daily history,the folk history, the border area history,the cultural history,the perceptual history and so on in the historical novel in the new century.In the first chapter, I mainly explains the edge conception of daily history of the historical novel in the new century,which has broken the exclusive right of great history, and takes the edge daily life experience as basic material of historicai narration ,For example, Handong's"Taking root", Wang Anyi's novel and so on.At the same time,Tiening's"Stupid flower",Chi Zijian's"the Puppet Manchukuo State Country",Lirui's"The Story of Silver City"and so on seeked the balance between the great history and the daily experience, and returned the richness of historical constitution, and maintained the historical consciousness,and avoided the flaw of historical feeling of pure daily narrative.More importantly,these works have avoided the historical posture,and the daily life has not been attached to the extra value and significance,as well as the resistance,the retrogradation mood, and has achieved esthetic presents.In the second chapter, I mainly elaborate historical landscape in the view of edge culture. In the localize vision ,these works has fully excavated ancient history culture in the border area,including traditional literature resources and culturalre sources. Fanwen'novel is a encyclopedia -like writing.Chi Zijian constructed"the Right bank of Ergun River",which narrated the entire nationality,displaying the sign of traditional epic poem .They stripped the ideology which have adhered to the epic poem for a long time,and rectified the cultural epic poem'names as the epic poem through unique charm."Past events of The Mongolian"and"Equestrian Going to West"afford the hero with the original appearance.The legendary experience,the mystical color,the romantic makings of hero is the result of dispeling the demon attaching to the national hero in the culture in the area of Yellow River.The religion congeals the distinctive quality of the culture in border area, which is often relating with the historical transformation in border area, and provided the new angle for the history writing.In Fanwen'snovel and Alai's"Spatial Mountain",the historical vicissitude is the cultural reflection of religious vicissitude.At the same time,these works returned the religious main body character by the non-pragmatism religious view.In the third chapter, I take the language as the breakthrough point, elaborating the history'different landscape written by dialect. As a language ,dialect accumulate regional traditional culture, and testimony the history culture vicissitude in this area.Comparing to the standard spoken Chinese,it can express the region's cultural character appropriatly,and entrusts the region's history vicissitude by the cultural connotation.Moreover,the history written by dialect is the folk edition ,which is different with the history written by official language. Depending on the dialect,Yan Lianke and Yang Zhengguang has written the history scene with different standpoint controying to the legitimate historical writing,and returned history experience in the folk.Moreover,because the dialect is riching in emotionality factor, the history has the perceptual characteristic.Zhangwei's"Ignominy And Romantic",Yan Lianke's"Li -ves", Moyan's"Punishment With Sandal wood"and so on fill the homeland history with emotion experience.Dialect is the channel, by which they seeks the native folk spirit, and the history written by dialect they used,is not only filled with the rational value judgment,but also filled with the emotion tendency.The conclusion affirmed the significance of peripherization,and elaborates the latent crisis and expensing tendency of peripherization narrative.The edge's signifi- cance is obtained through the contrast to central and mainstream.There is huge shadow hided in"front narrates"to the peripherizational narrates.Moreover,the edge is becoming the new center step by step,which has the possibility to become the new narrative pattern and the words hegemony extremely,and steps to the fomer historical disaster.But expending tendency has become the plague which the peripherization is unable to get rid of.Remembering past times of daily narrative,the marvelous sight in the edge culture,the popular interest of dialect, all becomes the embezzlement to the edge by expensing principle.