Painting Sad Emotional Performance

In the late 19th century early 20th century, Western painting is in a search for a new standard and experimental art transformation period. This period of three artists that Vincent van Gogh, Edvard Munch, Modiliani diversity of art in this particular environment opened up their own unique artistic path. At home and abroad, on their biographies and pictures of many published, but it was not the work of three artists to control analysis and comparison. In this paper, three artists from the unique character and experience as the starting point, analysis and research screen emotional expression of grief linear factors and color, then more profound understanding and appreciation of the artist's works.Screen dynamic factors of personality and the ingenious application of color are three painters emotional expression of grief once again in it. In particular, the representatives of the three has a similar Magical Effect. In Modigliani's works, the elegant curves Touzhe gentle sadness; In Munch's painting, suffering the curve such as bending and torsion Qianruo life in hell groaning; Van Gogh's paintings in the unique style of the campaign revealed a strong loneliness and anxiety. I will learn from the perspective of color, according to three artists unique color screen system to define the emotion. Such as Van Gogh's intention to improve the color brightness and contrast screen at the same time use a visual unrest; Munch preference for non-conforming purple, yellow, red and green and the use of sophisticated color or color saturation is high in the gloomy picture of the sudden way to create a climate of anxiety; Modigliani to red and green to the screen in the ultimate in harmony, he brushes under the red female body as a sculpture of unparalleled beauty and harmony of color in the light through the grief.