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Development And Evolution Of The Spatial Manifestations Of Traditional Chinese Landscape Painting

Posted on:2009-01-22Degree:MasterType:Thesis
Country:ChinaCandidate:R F PangFull Text:PDF
GTID:2205360272972595Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
As the traditional Chinese landscape painting the main focus on the aesthetic experience in the hearts and not to target the exact shape as a painting reproduction purposes, and therefore, its space completely different manifestations in Western scientific perspective-based, with the objective of three flu reproduction, but a unique psychological space. This paper attempts to traditional landscapes to the development of space expressions, for clues to evolution, in-depth study of the space of traditional landscapes and forms of consciousness, thus more profound, comprehensive understanding of Chinese landscape painting of the unique artistic expressions.Landscape Painting in the beginning of the period, Chinese landscape painting landscapes home on an attempt to "shape" to seek things of the "Road" and pursuit of the head should be in the hearts and the spirit of the decent, and thus the formation of a planar style of the green landscape. Along with the development of its own body painting and the formation of jurisprudence, landscapes space manifestations is also changing. Five Dynasties, in the Northern Song of the panoramic landscape schema, "Wonderland small" law is its unique spatial cognition, and the "three from" law and the "Cun" law have greatly enriched the sense of three-dimensional images, sense of space. Landscape Painting from the Southern Sung Dynasty landscape into a panoramic corner of landscape, the spirits and simplify large white cloth screen has not weakened the sense of space, instead of giving the impression that meaningfully, the unlimited realm. At the same time, traditional Chinese landscape paintings unique space-time into space and the time frame of the transformation, for the planar structure Chinese landscape painting an important component of the increase.Since the Yuan Dynasty, with the ink itself more and more attention to aesthetic factors, the "art book" put forward lines in the performance of their spirits at the same time to stress the strength of flu, three-dimensional sense. Pen and ink landscape painting as the most important performance factors, the whole picture is through the ink density Gathering and Scattering, wet and dry strength, such as changes in strength to form an abstract space of ups and downs.
Keywords/Search Tags:traditional landscapes, Performance space, Ink
PDF Full Text Request
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