Study. Feng Xiaoning War Films

War films in China's history of growth and development, Feng Xiaoning is a presence that can not be ignored. This article from the idea of his film depth, the bearing to carry forward the national culture, as well as aspects of the artistic features, such as analysis of Feng Xiaoning's war films in the current special political, economic, and cultural context in the achievements and breakthroughs, as well as the existence of defects, thereby pointed out that the war films on the development of China's positive.Through the recall of four of his war films, in particular the "war trilogy", you can feel his "war" of love, his works not only in response to the mainstream called culture, but also satisfy the viewing public to expect that in the current Hollywood box office and the double attack Western culture, it is caught in the plight of the Chinese film than with a meaningful breakthrough. So that videos and more human-friendly and rational thinking. At the same time, Feng Xiaoning the "national culture" as a vector, so that the two on this platform has been a good expression and integration. Feng Xiaoning continuously improve viewing of videos, not only to better achieve the social value of the film, but also a very good grasp of the aesthetic experience of the audience.However, Feng Xiaoning film also has its difficulties can not be separated from off and shortcomings. He in the film production process, who is also multi-level, this "author the movie" because of the creative approach and the distortion too much emphasis on the theme, emphasizing the rationale of passion and loss. His understanding of culture and position errors have also entered the "hands" is a little naive to be failure.It is on the one hand, the problems of artistic expression by his life experience and constraints, on the other hand, by the special political and cultural environment. But on the whole, he created a sincere attitude towards the efforts to create audio-visual spectacle, the film is the use of rhetoric in response to the film industry's call to promote the national spirit, to reflect on the disaster of war also made the film as a cultural carrier to assume its historical mission. In particular, he stood humanitarian point of view, in order to reflect the temperament of war to recall the war, look at the war, to war films of the creativity of China opened up a rich charm of the international road.