From The Moss Manchester Mona Music And Aria Interpretation Of The Fate Of Women The Same Thing In The Verdi Opera Creation

In Italy and even in the whole world scale, Verdi stand on the top of the opera Pyramid wherewith its plentiful and depthful opera.《Nabucco》,《Rigoletto》,《La Traviata》,《Otello》All these opera were the milestones on the course of opera history. From《Oberto》to《Falstaff》altogether 26 opera, Verdi used his unique music language created one and another fresh and live characters in his opera according to his own lifetime experience. We can easily find out that targedy is master's favorite subject. In these opera he not only represented some brave and stouthearted male characters but also show some beautiful and kind-hearted femal characters, but most of those vivid female characters were ended with dead after their own sentimental experience. It might be the era background or his own feeling on love or a good many factors make him paid much more especially attention on those femal characters and Verdi use exquisite music reappearance these women to his audience. This text start with Desdemona's aria in Orfeo to look upon the composer how to annotate the heroine's tragedy fate. Further more, author summarized out the sameness of all the femal characters in Verdi's opera by comparing and analyzing their emotional development in the opera, at the same time the author conclude the ultimate causation of these femal characters' misery.