Late Verdi Opera Soprano Aria Artistic Process

Giuseppe Verdi is the nineteenth Century Italy and even Europe’s great operacomposer, is one of the founders of the nineteenth Century romantic opera.Verdibecome an independent school of creative style and artistic thoughts not only affectsthe composer in Italy later, but also won the sincere respect Europemusic. His opera isItaly people’s glory and pride, left a brilliant page in the history of European music andin nineteenth Century.In view of the glorious achievements Verdi has made in the opera creation, manyof his works have become one of the vocal music learners will sing songs. This papermainly to Verdi’s late two opera soprano aria, the late Verdi’s creative style and artisticform of profound analysis. Through its melody, tonality, harmony thecreation featuresof the late opera art idea and art style. Help the vocal music learners better grasp ofVerdi’s works of this period, accurate interpretation ofthe soprano’s images and soundperformance charm.The opera "Aida" and "Otello" is the representative work of innovativesignificance of late Verdi, Italy is the pinnacle of the tragic opera. Though after ahundred years, but today is still long. The soprano aria is more profound artisticcharmand rich emotional connotation with many of the world’s audience.After collecting a large number of Verdi’s works and relevant materials,theselection of advanced representative "Aida" and "Otello" in the four sopranoariaanalysis the artistic features and singing to it, in hopes of vocal music performanceand teaching own meager strength.The article is divided into four parts: the first part is mainly about the life ofVerdiand the nineteenth Century Italy opera background; the second part analyzes theartistic characteristics aria soprano Verdi advanced two opera works; third part ofthedetailed analysis of singing tune of two opera in four soprano aria; the fourth part isthe analysis of based on above, on how to sing later work put forward its ownproposals.