Indian Buddhist Figure Painting In The Tang Dynasty Of China

Figure is described as the main character of activities targeted at a traditional Chinese painting paintings Branch,is China an important branch of painting.Chinese figure painting, more landscape,flower and bird painting subjects such as earlier in the subjects divided into the Road,released,lady,portrait,customs,history and other stories.Chinese Painting portraits is a direct reflection of the reality in the painting section,it is relatively comprehensive and adequately reflect the specific historical period of political,philosophical,religious,moral and other social awareness and full understanding of the value and educational value.Figure painting in China's most prosperous period of the Tang Dynasty in China,but also to meet Indian Buddhism flourished in China,period.Figure painting in China from the beginning of the exchange of Buddhism in India,to accept,absorb,and then to melt and become their own art.This is the art of figure painting than a great,epoch-making significance.In this paper,in front of Buddhism in India during the period of the Wei and Jin impact figure painting,based on the introduction of Buddhism introduced from India,the artist in painting techniques,painting the concept of change,particularly in respect of Buddhist painting and drawing techniques Bump content of worship.Later to study the figures in the Tang Dynasty Buddhist paintings of India the art of thinking and painting absorption, integration,based on the analysis of artists and secular subject matter of painting and painting lines,and so on painting techniques for the study to the study of Chinese painting peak period figures art.Through the analysis of the Chinese people during the late Tang Dynasty painting ideas for the pursuit of Zen Buddhism,which led to the rise of literati painting,figure painting in China began to "ink first" path of development,the traditional color of ink to the world's ultimate no,this is Late Tang literati paintings of light and color-shaped embodiment of the cold shoulder.Chinese characters colorful paintings by the Early Tang Dynasty,to the late emergence of highly water-and-ink paintings,Chinese characters drawing shows the beginning of the decline,and then break off a sluggish.This study also figure in the development of modem revelation given to find a breakthrough in modern figure painting.