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The Artistic Features Of The Theory Of Traditional Chinese Figure Painting In The Tang Dynasty

Posted on:2017-04-03Degree:MasterType:Thesis
Country:ChinaCandidate:Y MaFull Text:PDF
GTID:2335330488969094Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Traditional Chinese figure painting, Chinese painting has a long history in our country, in general, however, from the earliest appear during the weijin period until the tang dynasty began to become an independent painting branch, which says "yee figure painting" refers to is characteristic of exclusive in tang dynasty is a typical "feng buccal body to recognize, colorful" of traditional Chinese painting. Our country in history, belong to a strong national strength and the background of rich countries,especially in ancient times, the emergence of the four great inventions of technology to make our country science and technology to lead the international society, and by the tang dynasty national strength is more abundant. Political, ideological, cultural and other aspects of rapid development from the side contributed to the dedicated to art development and prosperity of the tang dynasty. Art in birds and flowers,landscape coexisting phenomenon in the tang dynasty, traditional Chinese figure painting in the history of precipitation and after a long development, become can coordinate with them to draw.Throughout the history of the Chinese figure painting as a can reflect real life the material the earliest type, traditional Chinese figure painting. Since the tang dynasty,comply with the demand of the era of figure painter appeared, and as one of the most representative painters is chang hsuean and zhou-fang, they with its own unique and exquisite style presented the era characteristics of traditional Chinese figure painting.Chang hsuean and zhou-fang created by traditional Chinese characters with a "fat gorgeous" charm, it and other times unique works of art, has the strong breath of times.In this paper, starting from the beginning from multiple aspects of writing,through the perusal of classic works, to refer to all kinds of ancient and modern literature, the famous appreciation, etc., in appreciation of works, all the time at the same time holding the painter unique artistic language, such as yarn, color, shape,composition, conception, etc., and cited by illustrations, compare analysis from multiple aspects. The tang dynasty belongs to the Chinese figure painting in the history of the heyday of figure painters belongs to one of the most dynasties in history,and they left a lot of figure painting works. Through the traditions, on the basis ofeach painter in the tang dynasty have efforts to create its own belong to the age, the characteristics of the original tang has, WeiChi b monk, etc; Wu daoxuan, chang hsuean, zhou-fang tang period of time. Tang dynasty period, with lee jin, sun, etc. We see from the picture each painter's masterpiece, from the grotto murals and we can still see those no name in the tomb murals, but with great style left by the painters of the painting. So we have to hold the traditional, grasp the pulse of the traditional,understand the aesthetic characteristics of each period of Chinese painting, good command of Chinese traditional painting skills. Still need to put away, at the same time, our vision from the perspective of macro grasp the progress of the development of Chinese figure painting, making precise analysis to the change of the development of Chinese figure painting, only in this way, we can seek innovation on the basis of inheritance, the only innovation can take us go further.
Keywords/Search Tags:Traditional Chinese figure painting, Tang Dynasty, Zhang Xuan, Zhou Fang
PDF Full Text Request
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