Min Huifen Played Erhu Gem Cry Spirit "," Zhaojun "tune Of The Techniques Of Performance Analysis

Min Huifen is one of the most distinguished and influential Erhu performer,in contemporary China.As we all know,she has played many classic Erhu music,in which the music expresses deep feelings and affection.Since the sixties and seventies of the last century,Min Huifen has begin to explore transplantation an adaptation of the Erhu music.She has played a lot of traditional opera and opera using the methods of chinese traditional opera.At the same time,it is the exploration and practice for her on the proposition of" Vocalization of instrumental music"."Baoyu KuLing " and "Zhaojun Chusai" are of the highly characteristics operas in her sadapted and transplantation works.Based on analysis of the Shaoxing opera performer Yu-Lan Xu's work " Baoyu KuLing",and Guangdong opera performers Hong-xian-nu's "Zhaojun Chusai",we focus on analysis the phonological changes and the performance of the technique of the two works which Min Huifen performed.That is,from the left hand playing techniques for the rhyme to the right hand playing techniques on the phonology breath and change of Erhu bow techniques combination method to analyze the changes,especially the erhu with reference Run Tune in phonology adorned of single or multiple combination features of musical note. Through analysis the meaning of" Baoyu KuLing" and "Zhaojun Chusai",combined with the play version of Min Huifen,we explore the adaptation of two post-transplant works which embodied the new and artistic creativity.