On Min-hui-fen's Vocalise Performance Of Music Instrument

The theory of "instrumentalization of instrumental music performance" is the most important contribution made by Min Huifen to the development of Chinese erhu art."The Theme of Honghu" is the most inherited and most classic one in the vocalization category of Minhuifen's instrumental performance.This article is based on one of Min Huifen's masterpieces,"Honghu Theme Caprice".Based on the background of the song,the original work,the combination of singing style and performance technology,and the specific experience of my study,performance,practice,and research,I explore Teacher Min Huifen's internalization of the aesthetic thought of "instrumentalization of instrumental music performance" and the representation of external images,in order to better discover and study the regularity of erhu's artistic expression.Therefore,this article is divided into three chapters,which are the vocalization of Min Huifen's life and instrumental music performance,the analysis of the works of Honghu Theme Caprice,and the important value of vocalization of instrumental music performance.