Glimpse Of Mozart's "marriage Of Figaro" Aria Of The Countess

Mozart, the great master in the music history, left 600 works in his short life. His compositions which have an amazing number of masterpieces include almost all the music genres. In Mozart's music, the opera is the main form of genre. So far many of his operas are still being shown on stage in long prosperity with the extremely strong vitality, a number of arias in his opera have also become the indispensable repertoire in vocal teaching and a variety of vocal Competition.The paper uses the Countess's two arias as the breakthrough point and deeply analyzes Mozart'comic opera《Le nozzo di Figaro》This opera with other two opera《Don Giovanni》,《Cosi fan tutte》have been called the three comic operas of Mozart, however, there is only one role which still represents the characteristic of opera seria in this drama. The role which is still the most special one and most difficult one to grasp is the countess which has a careful analysis in this paper.《Le nozzo di Figaro》focuses more on the intrapersonal portrait of the character and the embodiment of the personality than any previous works. The countess is an example, the arias which she sings are still full of strength with grief and convincingly highlight the heroine's passive feelings of pain and contradiction, the style is totally different from the color of the whole opera. It is precisely because of the important position of the Countess's role in this drama as well as my own experience in the singing make me write this thesis, it is also the meaning and purpose of writing this paper.