Black And White Woodcut Art Of Contemporary Research

Engraving art in the field as a whole, is a contemporary issue has not yet been discussed in greater depth. However, the issue of contemporary art and prints the current practice and theory of creative innovation is closely related to other issues, can not but arouse our attention. At present, only a few number of academic scholars, such as Mr.Qi Fengge,Mr. Yang Jinsong and so on, prints from the entire field of vision to create the macro issues of contemporary concern, there is no specific art prints for art forms, such as black-and-white woodcut of making contemporary art theory to explore the works of our predecessors in this article that is in the contemporary art of engraving on the basis of the theory, and thus the art of contemporary black-and-white woodcut of the attempt to explain the theory.China's black-and-white woodcut prints from the 20th century in the late 80's, especially in the new millennium after the great changes have taken place, this change is an important feature of the creative process of artists began to consciously put themselves into the contemporary experience to the creation of prints, which will try to make black-and-white woodcut art in the new era with a more spiritual connotation of the artist's personal characteristics, generally showing a trend from the historical burden and trends in the development of pure body,and black-and-white woodcut contemporary art of this trend is a manifestation of the most concentrated.In this paper, based on the evolution of black-and-white woodcut art through history, retrospective, wood art of traditional black and white to make the development process and summarize the vertical comb; through examining the status quo, the new era black-and-white woodcut of the existence of the state of the art of making and a general description of the horizontal . Through a longitudinal perspective of a cross, in the history and current status of the dimension of the black-and-white woodcut grasp the existence and development of the arts context. And then the conversion from the language and aesthetic needs of the AGB, the evolution of the concept of reshaping the structure and spirit of the two aspects of the new era black-and-white woodcut created to explain the context of conversion. Context conversion gave birth to the black-and-white woodcut is precisely the contemporary art issues. For black-and-white woodcut art of interpretation of contemporary issues is the central task of this article, the article from what is contemporary, and contemporary nature of what of what contemporary, contemporary art and the future of print, such as black-and-white woodcut of the four aspects of the contemporary art of theoretical interpretation. Through the definition of the concept, the connotation of the excavation, the work analysis to explore the value and function of both macro-theoretical grasp of the works and micro-analysis of individual creativity in the practical experience and theoretical thinking on the basis of the theory of learned predecessors the outcome of an effort to black-and-white woodcut art of contemporary issues and make new interpretation of black and white wood for future practice and theoretical innovation created to provide a meaningful reference.