Bamboo Flute And Orchestra Concerto "desolate Mountain" Orchestration Analysis

Concerto of Bamboo Flute with the orchestra, "melancholy to the empty Mountain" is the important works of music composer Guo Wenjing. Well-known as the composer Guo Wenjing was born in Chongqing China. He used a variety of musical techniques composition and innovation in this work. It is very atmospheric showed Sichuan unique spiritual and cultural capital.The introduction of this article describes the introduction composer's experience and a brief summary of the "melancholy to the empty Mountain" creative features, which will help us understand this music better. Discussion of the timbre is dependent on school of composition. The second part mainly summarized the structure of musical form, the core pitch material, thinking of tonality, the form of texture factura and other aspects, in order to with a view to create conditions for the follow-up analysis of orchestration.Third, fourth, fifth part is the focus of this paper.The third part, mainly discuss the characteristics of rhythmic sound in his works. Rhythm sound is divided into "points" type conversion, "line" type conversion and the "plane" type conversion. "Point" type conversion means distribution "points" like on the timbre. The carrier of rhythm on the "point" is often short, "line" type is more slower than the "point" type in the conversion frequency, "line" type in the performance was clearly expressed in the tone, it emphasizing sound soothing which brought a sense of movement, "plane" sound emphasize that the structure has a thick layer of relatively fixed mix of sound. All kinds of timbres based on the mixture and mixing timbre levels to crease or decrease, so that lengthways structure change timbre in the lateral going.Part IV explains the texture factura at first. As the carrier of sound, texture has an indispensable role in sound analysis, it is the key that complete control of works in the composition and type. Principles of layered express embodied in the various quality between the different strip each other through the functional layer of the pitch or timbre. Mix reflects the intervein principle between various levels, or as the "second" integration on trimbre mix which emphasizes cross each other only.Part five issues the trimbre of the integration and comparison. This paper based on the music creation and borrowed into brightness, it research the music assembled though time and void to achieve the difference of music blend. The music blend so far have not divide a unified standard. Therefore, the opinion is vary.Part VI will focus on the choice of Chinese bamboo flute solo and familiar musical performance technique.