Ji Kang, "the Sound Of Funeral Music On The" Emotional Problems

All along, the people for "Sound Without Sorrows" Musical Aesthetics in a variety of different interpretations, there is much controversy. This paper attempts to analyze the "Sound Without Sorrows" in emotional problems as a starting point, this inquiry "Sound Without Sorrows" Aesthetics of Music really contains. Emotional mood is different from physiological, and emotional life can be divided into emotional, moral, emotional and aesthetic emotion. By analyzing the "Sound Without Sorrows", from which we extract a "ruthless" and "enthusiastic" two concepts. The so-called "ruthless" is no life emotional and moral feelings, Kang does not show that people's feelings of funeral music, do not carry a moral connotation of emotion with the role of moral education, Kang believes that music is independent of the subject exists music is the essential attribute "and" the value of music is music forms constitute the "cruel and body" to appreciate the main passion that goes beyond the mundane aesthetic emotion, "ruthless" is actually a feeling of aesthetic emotion. Kang also see and recognize the reality of the musical aesthetic of emotional funeral music would happen, for "mercy" phenomenon, Kang made its explanation that this is because the music and human physiology, psychology in the structure and force on the corresponding relations of the same structure, that is the main music and enjoy the first "physical-physical" level with the occurrence of force and field structure just like the music first, the main-direct cause of ankle static emotional reaction, not at this time involved in emotional content; then the initiative as the main psychological mobilization, the daily life has been "first meet unexpectedly in the heart" out of the emotional positive mobilization occurred with music "psychological-physical" at the level of correspondence with the structure, so the With music with emotional funeral music aesthetic in which case, the aesthetic subject at this time is often mistakenly released from their inner emotional feelings error as the nature of the music. "Ruthless" and the "mercy" is not opposed, but united in the subject and the interaction of music and force fit into the whole. Kang also that the "ruthless" win "mercy" to the music with its "peaceful spirit" of people desires to purify mind and body to whom detachment attributable to "merciless" in environment, this should be the true essence of music and value.