Ji Kang And The "Music Without Emotion" Research

JiKang, Wei and Jin Dynasties of China's well-known writer, thinker, musician, is the Wei and Jin Dynasties, "Metaphysics," the representative, is one of Wei and Jin Dynasties, "who" the leader of one of the culture. He Ruan same period, to show, Liu Ling, Shan Tao, Wang Rong, Ruan Xian said "Bamboo Grove" to poetry and music accomplishments known to the world.Since the Qin and Han Dynasties, "abandon all other schools, Only Confucianism" since Confucianism has been the dominant ideology of our society by the influence of Confucian culture, music theorists have been advocating "sound a dirge," funeral music sounds to express emotion, never been questioned and denied. Until the Wei and Jin Dynasties, Kang for the first time clearly stated that "no sound of funeral music," the music of view, and completed his music theory work, "Sound without Dirge," thereby setting off a history of thousands of people for centuries after the " Sound a dirge "and" Music Without Emotion "wave of debate and learning. Kang book "Sound without Dirge" in music aesthetics can be described as a landmark treatise. A whole, "Qin-off and "Wild East, the owner," between the use of "Q" and "A" form, repeatedly argued Ji Kandy's "Music Without Emotion," the basic point of view, and the lack of traditional aesthetics was refuted, I then explained Kang's Aesthetics" This is the aim of studying the attitude of Ji Kang's life from the characteristics of the times and life start to the formation of Music Aesthetics Kang origin as the starting point of musician Ji Kang "sound without Dirge" in the hold of the "Music Without Emotion" views with the traditional "sound a dirge" view of the dispute. Analysis of the Ji Kang "sound without Dirge" and Confucianism, Taoism, and the relationship between thought and its health, and in-depth text on the "Sound without Dirge" three involved in the Aesthetic issues were discussed.Paper is divided into four partsThe first part is introduction outlines the main elements of this topic, and that "Music Without Emotion" and "sound a dirge" In the history of Chinese music have an important impact.The second part is the main thesis of the main, from the five areas discussedA, Ji Kang Shengping and life characteristic of the times Second, on the "Sound without Dirge", mainly from three aspects of "sound without Dirge" to interpret(A) "Music Without Emotion Theory"(B) "Music Without Emotion" and "sound a dirge," The Origin of the ebate(C) "Music Without Emotion Theory" property1. "Sound without Dirge" and the relationship between Confucianism2. "Sound without Dirge" and the relationship between Taoism3. "Sound without Dirge" and "health of"Third, on the "Sound without Dirge" Some of Aesthetics1. "Music" ontology2. "Music" and the relationship between emotional 3. "Music," the social functionFourth, "the sound without Dirge" and "the beauty of music," ComparisonFifth, the "Sound without Dirge" meaning and impactThe third part is the conclusion by Ji Kang "sound without Dirge," the study and research, described in Wei and Ji Kang's contribution to the development later.