Shanxi Folk Music Phenomenon

Shanxi is one of the earlier areas of Chinese cultural development, Shanxi folk song has a long history and wide variety of broad rang of topics, form different, and thus formed its own unique artistic style and distinctive local characteristics. In 2006, Shanxi folk song in the "Zuo Quan flowering tune" and "He Qu folk song" were selected as the first batch of national intangible cultural heritage folk music class first two, which also shows from an aspect of traditional folk songs in Shanxi lies its charm.The traditional needs of inheritance,creating need for innovation. Shanxi folk wants to go further in the future, it is necessary for injection of fresh blood. To this end, the article of Shanxi folk songs from the traditional music form the basic starting point for its analysis of the characteristics of ontology of music research, inductive-generalization, and the help of China, Shanxi folk song composer, as the material created instrumental music, piano works, as well as folk songs compiled in Shanxi with piano accompaniment and choral music and so on, Shanxi folk songs in a multi-voice-based technologies phenomenon (harmony, polyphony, etc.) to study and sum up in an attempt to Shanxi folk songs in a multi-creative aspects of sound technology to provide reference. The article discusses the following parts:PartⅠ:Overview of Shanxi folk song. First, the article discusses the long history of Shanxi folk culture, and the formation of a special area of Shanxi folk-style environment, indicating Shanxi folk song has its own unique artistic style and distinctive local characteristics. Secondly, the article on the traditional characteristics of Shanxi folk music, an analysis of the basic research, mainly from the modal, tonal, scales, pitch structure, termination, structure and other aspects of the sum and summary of Shanxi folk songs have a whole outline. Finally, because across the province geography, culture and traditions vary, therefore, four color areas of Shanxi's music features area analyzed, summarized, and the impact of Shanxi folk song style of the formation of the external factors (in this case music and local Neighboring Areas opera) is described.PartⅡ:Shanxi folk song in the harmonies of factors. In Shanxi folk songs, the typical tonal structure is "five times three audio out" structure, in order to adapt to work styles, the article from the sound of five vertical harmonic structure of starting together and explore the harmonies that exist in Shanxi folk connotation, and to Sang Tong The "five vertical and sound together to explore the structure of sexual harmony" as theoretic basis, focusing on the sound of Shanxi folk songs in the five made use of acoustic analysis, research; another on the part of the modern acoustic techniques (eg, parallel harmonies, the line-type structure, etc.) was examined.PartⅢ:Shanxi folk song in the Multi Part of factors. Shanxi folk tradition existed in polyphony number of factors prevalent in the sub-music; in northwestern Shanxi, because of its folk melody beating large, more frequently, and thus there is a single voice melody insidious voices, but these are just plain, simple polyphony phenomenon, combined intervals are more traditional, acoustic Department to be more prevalent in the same direction. In the present, contemporary music, the Shanxi folk polyphony factor in the performance in a more rich and complex, including the audio area, timbre; tone type, tone, etc. but rather a phenomenon of a variety of polyphony in order to even the image of musical expression, vivid.