Opera "carmen" In Escalante Minogue Stage Practice

Be honoured to participate in very much, get chance during the period of reading inkstone have the luck to act as matador (Aisikamiluo) this once role in drama and, feel sincerely reaping no little benefit. The field is not at the same time, also deeply easy to realize the matador who plays one on the stage having individuality's. The author experiences an article personally right away participating in opera "Carmen "performing for the clue, what be needed to understand and explain the character thing matador (Aisikamiluo) individuality music analyses and performs elicitation in article to explain whose practice process, with the analysis being hit by the stagecraft of one of leading character in a novel Aisikamiluo image then to drama studying. Opera "Carmen " work of being that west opera art treasure-house is hit by maximal one of classics of on show rate, can say durable not decline. Be able to experience the famous production to the great master during being studying for 3 years briefly, be indeed once big good fortune really as for a student who studies music, help disregarding being that it is very bigger for studying to the days to come to work, having. Because of be the first time participate in rehearse opera, feel is indeed very deep, use article to come to set forth an author experiencing the practice process that opera rehearses personally so right away, studying and job the days to come will arrive at the effect promoting and encouraging up to self. Article is allotted for four parts:PartⅠ, the creation to opera "Carmen " and their effect carries out investigation and discussion. Be tattooed with the background characteristic of times and history significance having been hit by a summary when being compared to only creation "Carmen ", be performed condition in public as well as being member of Chinese "Carmen ". PartⅡ, music to opera "Carmen " middle matador (Aisikamiluo) have done analysis, have included bullfighting significance in the culture using personal influence in Spain, important matador (Aisikamiluo) personage effect in location and outstanding that drama dramaticism in "Carmen ", aria of union matador, the recitative music analyse, discuss whose music. PartⅢ, priority readjust oneself to a certain extent on the matador's individual practice process that the author had studied, include understanding matador personage connotation, are rich in the intense emotion matador and matador's various expressive power; And then check much arrangement of ideas of matador (Aisikamiluo) personage, many angle understanding, the brief matador to not singing deduction together carries out comparison, practice contacting self individual who plays the matador (Aisikamiluo) again, the what one has learned from work carrying out expounding reasoning with practice, summing up ornaments playing the part of a matador's experiences. PartⅣand then stretching rehearses significance in being learning from music education highly to opera, same have certain academic value and real significance.