"slender Gold"

Art occupied a special status in the art history of Chinese nation in Song Dynasty. Through the historical gradual progress of thousands of years, after being abundant, refines, improves by Song Dynasty, the river of Chinese art flowed into a comprehensive expression of era. In the past, the study on calligraphy history had laid particular stress on the Song Dynasty. However, four great people Sushi, Huangtingjian, Mifu and Caixiang were thought most as the main research objects in the Song Dynasty. No doubt that they are very important in calligraphy history, but this does not mean the calligraphy history scarcely has the comprehensive expression ones besides the four great people. Educational circles never pay enough attention to the The shoujin Character which created by Emperor Huizong.In chapter one, I explained the social culture background that The shoujin Character produces. The realization of the traditional social historic turning has offered the brand-new living environment for art of Song Dynasty, it has created a vast folk society, it broke away from the status of noble, and move towards the people, move towards masses' paving the way for self-confidently and vigorously; There was social environment of high-level materials and culture life demand in the whole Song Dynasty, have really incorporated the life of ordinary people for art and opened up the route; Under this kind of special social historical condition, the culture of Song Dynasty demonstrates the extremely ripe appearance, thus brought up the brilliance of a generation of culture and arts.Chapter two introduced Emperor Huizongs life, politics and religious belief life. These factors created influence on his calligraphies. Emperor Huizong is a feudal emperor with legendry; he act two extreme roles in his life, Emperor and artist, as an emperor artist, his special status generate an unique impact on its artistic faith. Emperor Huizong believes in Taoism, his religious belief has influenced his artistic creation deeply too.Chapter three has described the origin and aesthetics characteristic of The shoujin Character. I put forward a new view that Mi Fu has put great influence on the creation of The shoujin Character. In section two of this chapter, I have summarized the aesthetic characteristic of The shoujin Character.Chapter four analyzes The shoujin Character and relation of Advocate Individual character and interest in Northern Song Dynasty. The creation of the calligraphy fell into the awkward situation in Northern Song Dynasty, the researcher all through the ages thinks the reason for the development of calligraphy of Song Dynasty is Advocate Individual character and interest. think transcribe system in the Song Dynasty is one important reason that why the calligraphy develop slowly in this time.Chapter five has summarized the historical appraisal and influence of The shoujin Character The appraisal on The shoujin Character was very inconsistent in history and especially a lot of poems are unknown by people, they are buried in the historical document for a long time. attempt to explore these valuable comments out through the arrangement of the historical data. Meanwhile, this chapter expounds The shoujins great influence to the work of Caijing, Emperor Jinzhangzong and Qigong.