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On The Art Of The Western Han Dynasty Royal Dance Dance

Posted on:2011-06-19Degree:MasterType:Thesis
Country:ChinaCandidate:Q ZhuFull Text:PDF
GTID:2205360308967725Subject:Music
Abstract/Summary:PDF Full Text Request
This article take the Western Han Dynasty time imperial family dancers as the object of study, elaborates emphatically to their dancing to music technique and later generation's influence. In using the literature material and the archaeology material, with the aid of esthetics and so on other discipline research's foundation, unifies the Western Han Dynasty time the humanities achievement, makes the discussion to the imperial family dancer's in dance history function and the value. In the artistic. development's perpetual flow, artists' outstanding works have represented myself and even a tidal current style. Western Han Dynasty in "the Chu wind" under the influence, has established China after the Chinese dances the esthetic orientation the foundation, took manager of the external work to enrich the dance content and the theme. Through historical data and image, also indirect reflection Han Dynasty dancing to music high development condition. To the above content, the present paper is divided four parts to elaborate:The first part:For the introduction part, this article to the Western Han Dynasty imperial family dance person dancing to music art's research goal and the significance, the research present situation, presently on the method, the writing mentality and the research expectation has made the simple introduction, has been clear about the selected topic basis. the second part:Is the paper first chapter, mainly introduced the Western Han Dynasty dances the development the historical perspective, included the social survey, humanities art to develop and the foreign exchange highly the influence tripartite carries on the elaboration to the dance facing Western Han Dynasty's prosperous times.The third part:Is the paper second chapter, "Western Han Dynasty famous imperial family dance person's dancing to music attainments". This chapter is divided three, danced the development to the Western Han Dynasty to divide three stages, selected three dancers who danced the development on behalf of the Western Han Dynasty to elaborate the Western Han Dynasty imperial family to dance the development the advancement. Respectively is Western Han Dynasty initial period Madame Chu Fengyi vulgar representative personage Qi, under the intermediate stage guy prosperous times in musical conservatory outstanding person Madame Li, the later period Chinese dances art to epitomize Zhao Feiyan. They are not only the Western Han Dynasty dance in the development the milestone, had reflected one time to dances artistic having only one in mind.The fourth part:Is the paper third chapter, "studies the Western Han Dynasty imperial family to dance artistic the historical value". This chapter is divided three. The first section elaborated the Western Han Dynasty time dance art development vein. Analyzes the esthetic style which to this time dance main body's research the Han Dynasty dances, unifies dances three stage dancer's dance attainments on behalf of the Western Han Dynasty, the elaboration dance art development process. The second section elaborated the imperial family dance person's dance art to our country dancing to music development contribution, from improved the dancing to music entertainer's in feudal society status, to impel the palace court music and the folk folk songs exchange and the fusion, individual art of dancing utilization separately affects posterity's dance technology three aspects to elaborate their contribution, by this prominent dancers' historical situation. The third chapter the Western Han Dynasty dances to Han Nationality dances the development the value and the influence, from the dancers in the Han Dynasty dancing to music development's prominent function elaborated that the Chinese dances under the influence Han Nationality to dance the development, summarizes the dancing to music thought that to dance the stage prop, the dance education tripartite facing later generation's influence, proposed once more dancer danced the enterprise in our country to develop the function, the promotion ancient times dancers' historical situation.
Keywords/Search Tags:Imperial family dance person, Chu Feng, dance attainments, historical situation, value influence
PDF Full Text Request
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