| The Ming and Qing period, as opposed to the Ming and Qing landscape painting and the flower was a huge development and impact of the Ming and Qing portraits are in decline, the relative decline in a historical period, while the Ming and Qing Dynasties portrait art as a representative of figure painting, portraits of China's heritage tradition, and continue in painting technique, style characteristics, painting theory of Chinese figure painting in the sustainable development of the creative history of the development, and under certain conditions the emergence of new growth and prosperity. Since the Ming and Qing Dynasty make up for lack of developed creative portraits. In order for the Chinese figure painting in the twentieth century, made a solid groundwork for Reconstruction and Development and preparation. And the Ming and Qing painting portraits in the absorption of Western painting techniques integrated into their native language, etc. was a useful attempt, practice and access to artistic achievement, but also for the exchange of Chinese and Western culture and the arts have made positive contributions to the development and preparation.In this paper, combing the history of the Ming and Qing portraits, starting from the cultural background analysis of the types of the Ming and Qing portraits, schools, major artists as well as the development of the theory and thus reveal its artistic heritage features and innovation, and its historical significance and practical significance.Start discussion paper is divided into three chapters. Portraits of the first chapter an overview of the meaning and historical development are expounded. Chapter II is the focus of this article specifically discusses the characteristics of the Ming and Qing portraits and genre and reflect the heritage of innovation. The third chapter of the Ming and Qing portraits in the contemporary relevance of an analytical study on the innovative spirit of its heritage Meticulous portrait of contemporary creative effects. |
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