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The Study On Folk Furniture Decorative Pattern Of Xiangxi Miao

Posted on:2013-01-19Degree:MasterType:Thesis
Country:ChinaCandidate:J ChengFull Text:PDF
GTID:2211330371499158Subject:Art of Design
Abstract/Summary:PDF Full Text Request
As an important part of traditional Hmong culture, decorative patterns of Miao folk furniture have unique cultural connotation and aesthetic value. It is the aim of modern design to use these decorative patterns and to inject fresh blood to traditional culture. Base on background, combining fieldwork information and theoretical knowledge, the theme of decorative patterns, decorative parts, as well as the relationship between the pattern of themes and decorative parts were summarized, the typical decorative patterns were extracted, to apply to modern design, so that modern design has more national spirit and geographical cultural connotations.The first part of the understanding of the Miao folk furniture, decorative patterns formed by the physical environment, political and economic conditions, history, culture and ethnic characteristics are a solid foundation for the study. From agriculture, forestry, animal husbandry and basic necessities, the interpretation of the physical environment to provide the basis for security and design a prototype for the formation of furniture, decorative patterns; witnessed the political and economic conditions to provide development direction for the furniture, decorative patterns from the war in opposition to conform to the historical process of assimilation; from history migration and ethnic worship, recognizing the history, culture and ethnic characteristics of the decorative patterns of the soul and life.The second part of the literature and site visits of the pattern samples, and collected316samples of pattern classification and inductive analysis. Based on the similarity of the decorative themes, divided into animals, plants, auspicious motif class, lucky combination of class, landscapes, geometric text class, Bogut vessel class, and style characteristics of each type of cultural connotations of the inductive analysis; based on the decorative parts of the unity, into the back of a chair the Ministry the teeth Zibu, leg foot, side head, board face, Wai subpart and for each type of decorative techniques, decorative features, decorative patterns constitute a form of inductive analysis; comparative analysis, analysis of folk furniture in Western theme pattern in a number of different parts of furniture distribution and frequency of use of the situation, in order to identify the correspondence between the subject matter and location of furniture, decorative patterns and variation; from the socio-cultural and artistic characteristics of two summarizes the characteristics of Miao folk furniture, decorative patterns connotation.The third part, combined with the cultural connotation of the Miao folk furniture, decorative patterns and the modern aesthetic taste, and modern design concept, comply with the principle of refined, including the direct refined, the simplifying refined, the abstract, the exaggerated refined and the principles of decomposition and reorganization refined. based on ways to apply targeted its typical decorative patterns, including the Phoenix Bird, Dragon, oval pattern, Chi-you pattern, and refining retain the original charm and essence of the foundation, get some fashion, yet the typical Miao furniture decorative elements.
Keywords/Search Tags:Hmong furniture, decorative patterns, refining, application
PDF Full Text Request
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