Traditional Graphic Symbols And Modern Decoration Design

China is one of the ancient civilization, has a long history and profound cultural background. Now the information culture dissemination and high-tech comprehensive utilization and development is rapid, traditional culture and modern culture collide each other and blending, make us aware of traditional graphic symbol aesthetic value, use modern unique visual form and form factors, to convey simple and unique all of modern decoration design, with modern thinking way for traditional graphic symbol for deeper and system research. Traditional graphics characteristics vary because of the nation, Chinese traditional graphics is its charm and mysterious charm, a unique aesthetic values of art treasures. Adornment is a human instinct, is human, disclosing stretches of primitive art wisdom and life interest, almost all the design domain without "adornment". Many challenges, finally found the stylist decorate of pure design also is only a kind of adornment form, a more "pure" adornment just. Nowadays many kinds of adornment design, a complete departure from traditional purely simple imitation and divert the western modern art will make our art design lost this national culture and national personality, machine-made.This key hinese traditional graphics to the Chinese folk and pop pattern two bulks, Based on Chinese traditional graphics respectively from the neolithic age the adornment design of pottery to Ming and qing dynasties, creations characteristics, cultural origin as well as popular in folk art forms of several typical paper-cut, blue allover, batik, embroidery, clay sculpture, woodcut two classification, such as Chinese traditional graphic symbols to be brief summary introduction, from the main characteristics of graphic symbols of moral and philosophy, graphic concepts of Chinese traditional graphics to Angle thinking, and combining traditional graphic form and meaning two aspects, targeted to design idea and modern Chinese and international design the status quo, through a series of works including personal practice to explore the modernization of traditional Chinese graphic symbols with innovation, using the continuation of the modern design of the absorption of traditional graphic symbols of graphic design, and reference to the succession, essence of derivative, innovation, pure, and save to meal used for design revision, and hope can borrow this carry forward Chinese traditional culture, education and a modern design of design workers the fanaticism of Chinese traditional culture study.This thesis roughly divided into six parts:First part:the concept of present China traditional graphics and semiotics significance, origin, value. Part 2:traditional graphics art characteristics, based on the classification of traditional graphic symbols of traditional art form, thorough understanding and performance. Part 3:the development of Chinese adornment art, this paper discusses the origin of the graphic symbols morphological and artistic features. Part four:the ancient Chinese and modern decoration compared the development of the arts fields. Part 5: modern decorative arts of traditional graphic symbols absorption and reference. Part 6:traditional image in modern decoration design application form on the new form, meaning the new thinking convey.