The Coda's Study Of China's Piano Solos

The coda of the term widely used in opera, music, literature and daily life, it seems insignificant, but in fact of great significance. Musical form from the traditional science perspective, the coda of a subsidiary as part of formal structure, with independent significance, it vary in many aspects of the musical language has its own unique treatment. However, the overall structure of the coda of the music played an important role in that is often overlooked.Since the beginning of the 20th century, China's vigorous development of professional music creation, in which the piano music fruitful. Since 1915 the first officially published since the first Chinese piano music, piano music several generations of Chinese composers in China tireless efforts. From the initial composition of Western technology, reference and imitation to creation of the traditional Chinese concept of continuous integration and exploration, in less than a hundred years, created a piano music on the one thousand, and formed a unique Chinese piano music style. As the coda of music outside of the main structure, will certainly reflect the unique Chinese charm.In recent decades, focusing on the creation of Chinese piano music studies have been carried out to form a more complete system, works quite good. These studies involve different levels:some of the technical analysis for the work itself; some composers for a certain style or a certain genre of writing; plenty of playing and teaching from the perspective of the study; there are aesthetic as well as from the music extended to the intersection of research and other disciplines......However, China's piano solos specifically for the coda of systematic analysis of the phenomenon of creation and research, at home and abroad is still blank.This article from the "big picture, small start" to the 20th century, before the early 80s, stood the test of time, are more representative of the thirty piano solos in China as the research object to the end as the starting point, through the coda of the body's systematic, exploratory analysis of research, trying to find their creative features found laws of art, and through the reverse way of thinking, summed up the main part of the coda of its linkages, for better interpretation of the overall work provide an opinion, thus enriching the theory of Chinese piano music for the future creation of Chinese piano music for reference, for the piano, teaching and analysis of reference.The paper is divided into the following sections:The first chapter is an overview to explain the creation of China's piano solos overview of the role of the end of China and creation requirements and the piano solo in the end use; The second chapter is the main part of the paper, from the music performance of the various aspects of the Chinese representative of the coda of the piano solos comprehensive analysis and interpretation; third chapter, from a macro perspective and rose to the height of theory to explain China's piano solos in the end the main part of the music's functional significance and its aesthetic rhyme.In this paper, theory based method, comparative method, supplemented by consulting relevant literature, analysis of a large number of spectral cases and learn from previous research results, arrive at a more scientific conclusions.