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Interpretation Of Nabi Painter Bonnard's Painting Art

Posted on:2012-05-23Degree:MasterType:Thesis
Country:ChinaCandidate:K WangFull Text:PDF
GTID:2215330335975986Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Pierre Bonnard, is an active painter between 19 century and the early 20th century, because NaBi pie master of painting works of colour and the colour is very similar with impressionism painting style, is often called the "late impressionist".Early painting style reference Oriental art and Japan float world draw modelling elements, create adornment sex extremely ego style, was described as "Japanese people image NaBi". He is based on the natural objects around familiar with basis, after the creation of the impressionist masters Cezanne subject matter where it belongs, with still lifes and naked female painting to grow perceptibly, due to the internal structure of Cezanne objects on to inspire, Bonnard's picture, make the form feels naked girls get like classical sculptures as solid and stable modelling structure.Bob's impressionism najaf in succession in light color charm and performance monitoring classicism, out of bondage, subject matter and the law in their own unique perspective to observe and record side of art. He to their daily lives as subject matter, depicting their yard, family, partners and pets, and in the work of the subjective emotion into their strong, breaking the normal perspective, light and color of visual experience, with a kind of images of composition and subjective image, the colour of the inner world of mystery reveals yearning, reflects the symbolism spiritual concept. Boehner's in painting to maintain its own distinct personality, to the traditional techniques and theories have been put forward new challenges, he opposed impressionism excessively objectively to depict the natural, stressed that object's "first feeling" keep in memory, again through the memories of the present way that the reason we can see the flickering with trembling and lithe and graceful with pictures, the sense of subjective change, Bob, the emotional depicted with the use of unique painting techniques is absolutely inseparable.As NaBi pie on important delegate painter, to painting, Bob forms, colour language and modelling skills are discussed, analyzed the comprehensive the inheritance and development on the basis of previous artistic ideas and new beyond the paintings, the color and form are pushed to the extreme. LanguageSay his painting is the apotheosis of eastern and western art fusion, joining with the beast pie impressionism between an important bridge, give the 20th century art to diversification development injected fresh vitality and explore a new way. This paper briefly introduces the general NaBi pie, NaBi sent the history background, it appears the characteristics and art advocates, the embodiment of Bob's painting, through the analysis on the comprehensive direction Bob's artistic features, cause people to form on the picture -'s attention. It is generally believed that Bob's picture on simple structure in the text, expressed the opinion purpose is to let people out of darfur-picture structure on the error, and ignore the probing his focus on painting style, this paper on the drawing theme rife's recognition and evaluation, making people to understand the different period of painting, Bob's choice, through the different theme on detailed analysis, works-picture produces strong visual reasons_Use special techniques, through the phenomenon in the concrete works in najaf, revealing grabber, is how clever composition, how to make the picture color expressive language acquisition, as well as the special modelling design, the above aspects, enough to override darfur-the fallacy of the picture structure simple, let people with more objective perspective to rethink his painting creation. On the value of Bob's work is not just bring us on colour visual enjoyment, but he created delicate harmonious between color and picture form.
Keywords/Search Tags:NaBi pie, Bonnard, Form, Color
PDF Full Text Request
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